Autonomy, Submission or Sound Hybridization? The Construction of the Aesthetic Canon of the Spanish Pop-Rock (original) (raw)
Related papers
Popular music in Spain: current lines of research and future challenges
2020
THE SOUNDSCAPES OF RESISTANCE: NOTES ON THE POSTMODERN CONDITION OF SPANISH POP MUSIC
Journal of Spanish Cultural Studies, 2006
‘Sing as you talk’: Politics, popular music and rock criticism in Spain (1975–1986) (Draft)
Journalism, 2017
Spanish Popular Music through Latin American eyes
En Silvia Martinez y Héctor Fouce (eds). Made in Spain. London and New York: Routledge. Pp. 187-195., 2013
2016
Spain beyond Spain: Contemporary Spanish Music in a Global Context
Contemporary Music Review, 2019
“STANDARDIZATION OF CULTURAL PRODUCTS IN LATIN POP-MUSIC”
The Philosophy of Popular Music: Aesthetical Categories and Cultural Relevance
Music, Nation and Region in the Iberian Peninsula (Re)Sounding History, Identity and Heritage. University of Cambridge (Faculty of Music), 22-23 June 2017, 2017
Indie Music as a Controversial Space on Spanish Identity Class, Youth, and Discontent
Music and the Making of Portugal and Spain, 2023
‘El ritmo no perdona’: Latin American popular music, commercial media and aesthetic coloniality
Situating popular musics: IASPM 16th International Conference Proceedings, pp. 251-256
2012
Diagonal: An Ibero-American Music Review
The Sociology of popular music, interdisciplinarity and aesthetic autonomy
Trans Revista Transcultural De Musica, 2012
Popular Music, 1982
Standardisation and Pseudo-individualism in Popular Music
© 2014 James Lashbrooke, Liverpool John Moores University
Popular Music Studies: the issue of musical value
Journal of Popular Music Studies, 1992
Appropriation in Reverse; or what happens when popular music goes dodecaphonic
Latin American Music Review, 2009
Marco Antonio Juan de Dios Cuartas
Gender in Music Production, 2020
Isaac Diego García, Informes del Observatorio / Observatorio Reports — Instituto Cervantes at FAS - Harvard University
Dance reggaeton like you own it: The political aesthetics of neoperreo in contemporary Spain
NOT YOUR WORLD MUSIC Noise in South East Asia, Dimitri della Faille
2016
Some Remarks on the Epistemological Basis for a Musicology of Popular Music
Analitica, 9, p. 1-19, 2016
“Visiones del Estado como mito de poder en la música popular contemporánea española”
Mitologizacje państwa w kulturze i literaturze iberyjskiej i polskiej / Mitificación de estado en culturas y literaturas ibéricas y polacas, 2014
How Did Popular Music Come to Mean Música Popular?
Laura Jordan Gonzalez, Douglas Kristopher Smith
IASPM@Journal Vol. 2, No. 1-2, 2011
Globalization and Appropriation in Latin American Popular Music
Latin American Research Review, 2004
Local Stories, Global Music. Sound trade marks in the latest genres of Spanish Cinema
Comunicación y sociedad, Volumen XXIV / N. 2 / 2011, pp. 226-253, 2011
Alexandrine Boudreault-Fournier
Popular Music, 2008
Call for Papers "Aesthetics, Popular Music, and Subcultures"
Scenari, 2024
Apropiaciones imaginativas de la música en los nuevos escenarios comunicativos
Comunicar, 2010