BLACK, BETWEEN PAINTING AND HISTORY (original) (raw)

On the Image of Painting

Andrew Benjamin

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A Retrospective. Selected studies on the history of art from the 12th -16th and 20th centuries: summary

Milena Bartlová

Milena Bartlová, Retrospektiva. Vybrané studie k dějinám umění 12.–16. a 20. století. UMPRUM: Praha 2018, s. 374-376, 2018

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The Death of Painting and Related Issues

Jana Gerzova

Talks about Painting. An Overview of Slovak Painting Through Oral History. Bratislava: Slovart a VŠVU 2009), 2009

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CHAPTER FIVE “THAT MAGNIFICENT GENERATION” Tradition and modernity in the lives, art and politics of the first modern black painters

Lize van Robbroeck

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The Condition of Painting: Reconsidering Medium Specificity (PhD Thesis)

Tom Palin

The Condition of Painting: Reconsidering Medium Specificity (PhD thesis), 2018

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The Africanization of the European Art: A Short History and Its Contemporary Evolution (19 th -21 st Centuries

Luca Bussotti

Advances in Historical Studies, 2022

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History, Moral and Power : The Ancient World in Nineteenth-Century Spanish History PaintingTranslated by Rosa Ania and Noel Murphy. This chapter is only a very short approach to a subject, which deserves and awaits a deeper and more exhaustive treatment. I am very grateful to the editors, Silke K...

Silke Knippschild

Seduction and Power : Antiquity in the Visual and Performing Arts

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Zarko Paic The History and Time of a Painting

zarko paic

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Texts presented in summary, in Textes dispersés sur l’art contemporain Miscellaneous Texts On Contemporary Art , Jean-François LYOTARD, Leuven University Press 2012

Peter Milne, Vlad Ionescu

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"European Perceptions of Blackness as Reflected in the Visual Arts," in J. Spicer, ed., Revealing the African Presence in Renaissance Europe (exh. cat. Baltimore: The Walters Art Museum, 2012), 35-60.

Joaneath A Spicer

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The Troublemakers: History Painting in the Real World Zoe Beloff, June 2021 "The subject of historical knowledge is the struggling, oppressed class itself… There is no document of culture that is not at the same time a document of barbarism."

Zoe Beloff

Parade of the Old New, 2021

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Review of Donald Preziosi, Rethinking Art History: Meditations. New Haven: Yale University Press, 1989. In Art Documentation 9 no. 1 (Spring 1990): 23-25

Max C Marmor

1990

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Barnabás Zemlényi-Kovács: Precarious Universalism. Towards a Critical Analysis of Contemporary Neoabstract Painting [In Dalma Kollár (ed.): Microtomy. Budapest Gallery, 2021]

Barnabás Zemlényi-Kovács

Dalma Kollár (ed.): Microtomy. Budapest Gallery, 2021

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Limitations and possibilities in painting: tracing the unrepresentable

Viktor Witkowski

2010

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The Origin and Decay of Painting. Iaia, Dibutades and the Concept of ‚Women Art, in: Hans Christian Hönes & Anna Frasca-Rath (Hrsg.), Modern Lives, Modern Legends. Artist Anecdotes since the 18th century, Journal for Art Historiography, 23, 2020, S. 1-17

Anna Frasca-Rath

2020

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Sacred Codes: The Forgotten Principles of Painting - Revived by Visionary Art - Excerpts

Laurence Caruana

2017

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The Image of the Black in Western Art, vol. 3, From the "Age of Discovery" to the Age of Abolition, pt. 1, Artists of the Renaissance and Baroque by David Bindman and Henry Louis Gates vol3

Sara James

Sixteenth Century Journal, 2012

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Drawing as memory and survival; painting and its relationship with history

Carlos Zílio, Sheila C Geraldo

Porto Arte, 2017

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Hallucinating Art History

Kamini Vellodi

Art History, 2017

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Engaging an ephemeral object like shadow as an aesthetics and a philosophical subject in modern painting Engaging an ephemeral object like shadow as a philosophical subject in modern painting

Irokanulo Emmanuel

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Visual discourse of distinction: early Netherlandish painting as a vehicle of social and political identity

Katrien Lichtert

Proceedings IXe Conférence Internationale …, 2008

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The Poetics of the Image. Art History and the Rhetoric of Interpretation

Matthew Rampley

Marburger Jahrbuch der Kunstgeschichte 35, 2008

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Looking to Connect with European Paintings: Visual Approaches for Teaching

Elizabeth Perkins

2013

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Seminar Notes from MA Module: 'Key Concepts and Classic Texts in History and Philosophy of Art'

Sophie McHiggins

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An Archaeological Study of the Historical Painting Transformation from Neoclassicism to Postmodernism

Paykareh (Journal of Faculty of Arts, Shahid Chamran University of Ahvaz)

paykareh, 2023

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Warburg and Poliakoff, Movement and Style (a contribution to the contemporary study of images and paintings)

JOAO VICTOR FREIRE VALE

Journal of Science and Technology of the Arts, 2012

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“Allegorical Impulses and the Body in Painting” in Rebus: A Journal of Art History and Theory, no. 1, Summer 2008

Matthew Bowman

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THE PAINTING OF HISTORY: THE PRESENT IN THE PAST OR THE PAST IN THE PRESENT

María M Ziegler Delgado

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Comment on “The philosophical basis and artistic characteristics of contemporary western painting”

Transformação: Revista de Filosofia da Unesp

2024

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A NEW HISTORY OF WESTERN ART - Introduction and epilogue

Koenraad Jonckheere

A New History of Western Art, 2022

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A treatise on painting, with notes by signor Tambroni, tr. by mrs.pdf

Anis Zamir

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Painting fights back: Karla Black and the return of the colourfield

Jemma Craig

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"Life Drawing and the Crisis of Historia in French Eighteenth-Century Painting", Art History, Volume 39, Issue 1, pages 40–69, February 2016.

Susanna Caviglia

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Images-within-Images in Italian Painting (1250–1350): Reality and Reflexivity by Péter Bokody

judith collard

Parergon, 2015

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Association of Art Historians 2013 871 Reviews Subject Matters in Early Modern Art Helen Hills Subject as Aporia in Early Modern Art edited by

Helen Hills

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