History of music (original) (raw)
La història de la música és tant l'estudi de l'evolució que la música ha sofert al llarg dels temps, com —també— el conjunt de processos que aquesta evolució ha comportat. D'una banda és una disciplina d'estudi que s'insereix dins de la musicologia històrica i, de l'altra, és el resultat de les dades i interpretacions fetes pels musicòlegs i altres investigadors. Al seu torn, l'estudi de com aquest estudi de la història de la música ha anat evolucionant al llarg del temps es coneix com a .
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| dbo:abstract | La història de la música és tant l'estudi de l'evolució que la música ha sofert al llarg dels temps, com —també— el conjunt de processos que aquesta evolució ha comportat. D'una banda és una disciplina d'estudi que s'insereix dins de la musicologia històrica i, de l'altra, és el resultat de les dades i interpretacions fetes pels musicòlegs i altres investigadors. Al seu torn, l'estudi de com aquest estudi de la història de la música ha anat evolucionant al llarg del temps es coneix com a . (ca) Dějiny hudby jsou patrně stejně dlouhé jako dějiny lidské civilizace. Studuje je muzikologie, byť ta je zaměřena zvláště na západní klasickou hudbu a hudbu jako obecnější jev studují spíše sociální vědy jako kulturní antropologie, etnologie, kulturologie, kulturální studia či sociologie. Většina antropologů a kulturologů hudbu považuje za , tedy něco, co se vyvine v každé společnosti (doposavad byla hudba zaznamenána i u všech izolovaných kmenů), a co patrně vzniklo již na počátku lidské kultury, jakkoli je velmi obtížné studovat dějiny hudby před vynálezem záznamových zařízení a notových zápisů. Klíčem pro takové studium jsou předpokládané stopy hudební tradice v současných žánrech a archeologické nálezy hudebních nástrojů, nebo toho, co za ně považujeme. Předpokládá se, že hudba nebyla původně samostatným kulturním jevem, ale rozvíjela se ponejprve v rámci náboženství, respektive magicko-náboženských rituálů. K tomu alespoň poukazuje studium přírodních národů. K první výraznější separaci hudby a náboženství patrně došlo v antické civilizaci, pospolu se sekularizací divadla. Ještě na počátku středověku měla hudba ovšem především náboženský význam i v evropské kultuře, nakonec ale zde došlo k osamostatnění, což dalo vzejít klíčovému jevu dějin hudby, tzv. západní klasické (vážné) hudbě, jakkoli vedle ní i v Evropě zřejmě vždy existoval spodní proud hudby lidové (jež byl pochopitelně s vážnou hudbou v neustálé interakci). Západní vážná hudba ovlivnila i jiné kultury, spolu s evropskou kolonizací a rozvojem moderní civilizace a globalizace, jakkoli si některé kulturní okruhy uchovaly velmi svébytné vlastní tradice, které pohlcení západní hudbou dlouho vzdorovaly (např. Japonsko). Na začátku 20. století však došlo k dalšímu velkému přelomu, kdy byla vážná hudba vytlačena z hlavního proudu jazzem a začala se psát nová tradice, jejímž hlavním směrem se stalo to, co bývá nazýváno populární a rockovou hudbou. Ty lze považovat za jedny z prvních plně globálních kulturních jevů vůbec. I když si zachovávají místní specifika, společný základ je velmi patrný. (cs) تاريخ الموسيقى هو منهج دراسي يدرس على نطاق واسع لتعليم الموسيقى وتاريخها في أمريكا الشمالية، ويتألف من عدة أجزاء ومراحل وهي: (ar) Die Geschichte der Musik oder auch Musikgeschichte ist die Darstellung der historischen Entwicklung von Musik und musikalischen Phänomenen. Traditionell umfasst sie unter anderem die historische Entwicklung des Gesangs und der Melodie, des Rhythmus, der Musikinstrumente, des Zusammenklangs und der Mehrstimmigkeit, der Harmonik und die Entwicklung der Schriftlichkeit und Vervielfältigung (Musik als Zeichensystem und Notation). Außerdem entwickelte die Musik eine Vielfalt von Darstellungsarten, Stilen und Ästhetiken, die ebenfalls Gegenstände der Musikgeschichte darstellen. Die allgemeine Musikgeschichte ist einer der Forschungsgegenstände der Historischen Musikwissenschaft. (de) La historia de la música es el estudio de las diferentes tradiciones en la música y su orden en el planeta a lo largo del tiempo. Ya que en toda cultura conocida hubo alguna forma de manifestación musical, la historia de la música abarca todas las sociedades y épocas. No se limita, como es habitual en algunos ámbitos académicos, a Occidente, sin embargo a menudo se utiliza la expresión «historia de la música» para referir exclusivamente a la historia de la música europea y su evolución en el mundo occidental. La música de una determinada sociedad está estrechamente relacionada con otros aspectos de su cultura, como su organización económica, su desarrollo tecnológico, tradiciones, creencias religiosas, etc. (es) Although definitions of music vary wildly throughout the world, every known culture partakes in it, and it is thus considered a cultural universal. The remain highly contentious; commentators often relate it to the origin of language, with much disagreement surrounding whether music arose before, after or simultaneously with language. Many theories have been proposed by scholars from a wide range of disciplines, though none have achieved broad approval. Most cultures have their own mythical origins concerning the invention of music, generally rooted in their respective mythological, religious or philosophical beliefs. The music of prehistoric cultures is first firmly dated to c. 40,000 BP of the Upper Paleolithic by evidence of bone flutes, though it remains unclear whether or not the actual origins lie in the earlier Middle Paleolithic period (300,000 to 50,000 BP). There is little known about prehistoric music, with traces mainly limited to some simple flutes and percussion instruments. However, such evidence indicates that music existed to some extent in prehistoric societies such as the Xia dynasty and the Indus Valley civilisation. Upon the development of writing, the music of literate civilizations—ancient music—was present in the major Chinese, Egyptian, Greek, Indian, Persian, Mesopotamian, and Middle Eastern societies. It is difficult to make many generalizations about ancient music as a whole, but from what is known it was often characterized by monophony and improvisation. In ancient song forms, the texts were closely aligned with music, and though the oldest extant musical notation survives from this period, many texts survive without their accompanying music, such as the Rigveda and the Shijing Classic of Poetry. The eventual emergence of the Silk Road and increasing contact between cultures led to the transmission and exchange of musical ideas, practices, and instruments. Such interaction led to the Tang dynasty's music being heavily influenced by Central Asian traditions, while the Tang dynasty's music, the Japanese gagaku and Korean court music each influenced each other. Historically, religions have often been catalysts for music. The Vedas of Hinduism immensely influenced Indian classical music, and the Five Classics of Confucianism laid the basis for subsequent Chinese music. Following the rapid spread of Islam in the 6th century, Islamic music dominated Persia and the Arab world, and the Islamic Golden Age saw the presence of numerous important music theorists. Music written for and by the early Christian Church properly inaugurates the Western classical music tradition, which continues into medieval music where polyphony, staff notation and nascent forms of many modern instruments developed. In addition to religion or the lack thereof, a society's music is influenced by all other aspects of its culture, including social and economic organization and experience, climate, and access to technology. Many cultures have coupled music with other art forms, such as the Chinese four arts and the medieval quadrivium. The emotions and ideas that music expresses, the situations in which music is played and listened to, and the attitudes toward musicians and composers all vary between regions and periods. Many cultures have or continue to distinguish between art music (or 'classical music'), folk music, and popular music. (en) Musikaren historia garai guztietan izan diren musika motak eta horien garapena aztertzen dituen saila da. Musika antzina-antzinatik existitzen da, ezagutzen ditugun lehen giza-arrastoak baino lehenagotik. (eu) L'histoire de la musique est l'étude de l'évolution de tous les types de musiques de toutes les régions du monde. (fr) Musik ditemukan di setiap budaya, baik masa lalu maupun masa kini, menyesuaikan antara waktu dan tempat. Karena semua orang di dunia, termasuk kelompok suku yang paling terisolasi pun memiliki bentuk musik, dapat disimpulkan bahwa musik mungkin telah hadir di leluhur manusia sebelum penyebaran manusia di seluruh dunia. Akibatnya, musik mungkin telah ada selama setidaknya 55,000 tahun dan musik pertama mungkin telah ada di Afrika dan kemudian berkembang menjadi bagian dasar dari kehidupan manusia. Budaya musik ini dipengaruhi oleh semua aspek-aspek lain budaya tersebut, termasuk sosial dan organisasi ekonomi, iklim, dan akses ke teknologi. Emosi dan ide-ide yang diungkapkan musik tersebut, situasi di mana musik dimainkan dan didengarkan, dan sikap terhadap pemain musik dan komposer semua bervariasi antara daerah dan periode. "" merupakan sub-bidang musikologi yang berbeda dan sejarah yang mempelajari musik (terutama ) dari perspektif kronologis. (in) この項目では、音楽史（おんがくし）、すなわち音楽の歴史について解説する。 (ja) 다음은 음악의 탄생과 발전에 대한 역사이다. (ko) La musica è un'espressione artistica appartenente a tutte le culture del nostro pianeta. Fonti ne attestano l'esistenza almeno a partire da 55 000 anni fa, con l'inizio del Paleolitico superiore. Alcuni studiosi ipotizzano la sua nascita in Africa, quando le prime comunità umane conosciute iniziarono a disperdersi sul globo. La storia della musica è una branca della musicologia e della storia che studia lo sviluppo cronologico delle idee e delle convenzioni musicali appartenenti a popoli differenti, con particolare riguardo alla musica d'arte di tradizione occidentale, ed è pertanto materia diffusa, sia nelle università che nelle scuole di musica di tutto il mondo. (it) Muziekgeschiedenis is een deelstroming van de geschiedenis die zich bezighoudt met de ontwikkeling van de muziek. Binnen dit onderwerp zijn de volgende deelgebieden te onderscheiden: * geschiedenis van de klassieke muziek * geschiedenis van de populaire muziek * geschiedenis van de muzieknotatie Sinds het einde van de negentiende eeuw hangt de ontwikkeling van de muziek en het ontstaan van nieuwe genres en muziekstijlen nauw samen met de geschiedenis van de geluidsopname. (nl) Musikens historia började i forntiden, innan det finns några skriftliga källor. Musik har ackompanjerat människans liv i alla dess skeden; födelse, giftermål, död, jakt och dans. Det finns flera utvecklingslinjer, bland andra den västerländska. Den vetenskap som studerar musikens historia kallas musikhistoria. (sv) История музыки — отрасль музыковедения (наука и учебная дисциплина), изучающая музыку, в первую очередь европейскую, по эпохам, странам и школам. Музыка, как часть культуры, находится под влиянием всех остальных её аспектов, включая социально-экономическую организацию и опыт, климат, и доступ к технологиям. Эмоции и идеи, выражаемые в музыке, ситуации, в которых музыка исполняется и воспринимается, а также отношение к исполнителям и композиторам варьируются в зависимости от региона и эпохи. Советская методологическая традиция (Ю. В. Келдыш) к истории музыки также относила музыкальную палеографию, систематизацию музыкальных форм в их историческом развитии и инструментоведение. В западной науке музыкальной палеографией занимаются филологи, форму изучают теоретики музыки, а инструменты (их конструкцию, исторические описания, акустический строй) изучают все музыковеды (историки, теоретики, музыковеды-фольклористы и др.) без исключения. (ru) Embora as definições de música variem muito em todo o mundo, todas as culturas conhecidas participam dela, e a música é, portanto, considerada um universal cultural. As permanecem altamente controversas; comentaristas muitas vezes a relacionam com a origem da linguagem, com muita discordância em torno de se a música surgiu antes, depois ou simultaneamente com a linguagem. Muitas teorias foram propostas por estudiosos de uma ampla gama de disciplinas, embora nenhuma tenha alcançado ampla aprovação. A maioria das culturas tem seus próprios mitos fundadores relacionados à invenção da música, geralmente enraizados em suas respectivas crenças mitológicas, religiosas ou filosóficas. A é pela primeira vez firmemente datada de c. 40000 a.C. do Paleolítico Superior por evidências de flautas ósseas, embora ainda não esteja claro se as origens reais estão ou não no período Paleolítico Médio anterior (300000 a 50000 a.C.). Pouco se sabe sobre a música pré-histórica, com traços principalmente limitados a algumas flautas simples e instrumentos de percussão. No entanto, tais evidências indicam que a música existiu até certo ponto em sociedades pré-históricas, como a dinastia Xia e a civilização do Vale do Indo. Com o desenvolvimento da escrita, a música das civilizações letradas — música antiga — estava presente nas principais sociedades chinesas, egípcias, gregas, indianas, persas, mesopotâmicas e do Oriente Médio. É difícil fazer muitas generalizações sobre a música antiga como um todo, mas pelo que se sabe era muitas vezes caracterizada pela monofonia e improvisação. Nas formas de canções antigas, os textos estavam intimamente alinhados com a música e, embora a notação musical mais antiga sobrevivente desse período, muitos textos sobrevivem sem a música que os acompanha, como o Rigueveda e o Clássico da Poesia. O eventual surgimento da Rota da Seda e o contato crescente entre culturas levou à transmissão e troca de ideias, práticas e instrumentos musicais. Essa interação levou a música da dinastia Tang a ser fortemente influenciada pelas tradições da Ásia Central, enquanto a música da dinastia Tang, o gagaku japonês e a se influenciaram. Historicamente, as religiões têm sido frequentemente catalisadoras da música. Os Vedas do Hinduísmo influenciaram imensamente a música clássica indiana, enquanto os Cinco Clássicos do confucionismo lançaram as bases para a música chinesa subsequente. Após a rápida no século VI, a dominou a Pérsia e o mundo árabe, e a Idade de Ouro Islâmica viu a presença de vários teóricos importantes da música. A música escrita para e pela Igreja Cristã primitiva inaugura adequadamente a tradição da música clássica ocidental, que continua na música medieval, onde a polifonia, a notação de pauta e as formas nascentes de muitos instrumentos modernos se desenvolveram. Além da religião ou da falta dela, a música de uma sociedade é influenciada por todos os outros aspectos de sua cultura, incluindo organização e experiência social e econômica, clima e acesso à tecnologia. Muitas culturas associaram a música a outras formas de arte, como as chinesas e o quadrivium medieval. As emoções e ideias que a música expressa, as situações em que a música é tocada e ouvida e as atitudes em relação a músicos e compositores variam entre regiões e períodos. Muitas culturas têm ou continuam a distinguir entre (ou 'música clássica'), música folclórica e música popular. (pt) Історія музики - історична дисципліна у музикознавстві що вивчає розвиток музичних культур, а також намагається наблизитися до реконструкції умов їх виникнення. (uk) 音樂存在於每個已知的文明，不論過去或現在，在不同時間和地點也有很大的變化。 世界上所有的人民，包括了孤立的民族，也有它的音樂形式，可以認為人類始祖在不同人種分散在世界各地之前已知曉音樂。所以音樂很可能已存在55,000年以上。第一個音樂或許在非洲發明，隨後演變為人類生活的一個基本部份。 一個文明的音樂受著該文明的其他層面影響，包括社會、經濟、经历、气候和所獲得的科技。音樂所表達的情感及想法，音樂演奏及聽眾的情景，以及對樂手和作曲者的态度在不同的地域和時期也大有不同。「音樂歷史」是音乐学的一個分枝，它時間順序對音乐的變化及發展（尤其是西方艺术音乐）進行研究。 (zh) |
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| dbp:cSearch | Category:History of music (en) |
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| dbp:description | Performed by Ashtar Moïra (en) |
| dbp:filename | Toccata et Fugue BWV565.ogg (en) |
| dbp:footer | Top left, the purported Divje Babe Flute from Divje Babe, Slovenia; top right a Aurignacian bone flute from Geissenklösterle, Germany; bottom a gudi bone flute in the modern-day Jiahu, Wuyang, Henan Province. (en) The principal composers of the Classical period and the transition to Romanticism, collectively known as the First Viennese School. Clockwise, from top left: Joseph Haydn ; Wolfgang Amadeus Mozart ; Ludwig van Beethoven ; and Franz Schubert . (en) Clockwise, from top left: * The Seikilos column with the Seikilos epitaph, dated to the 2nd-Century CE or later * Sculptures on the Jagdish Temple, Udaipur of musicians, one of which plays an instrument similar to the Rudra veena * Mountain Chief recording on a phonograph for Frances Densmore, 1916 * Performers in the Samba de Roda festival, a music and dance celebration in the Bahia region of Brazil * A man playing the gendèr outside of the Embassy of Indonesia, Canberra * A man playing the didgeridoo, an indigenous instrument of Australia * Joseph Haydn playing in a string quartet, in a painting from before 1790 (en) |
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| dbp:image | 20191207 (xsd:integer) Australia Aboriginal Culture 009.jpg (en) Beethoven.jpg (en) Bone Flute.jpg (en) Croce-Mozart-Detail.jpg (en) Flûte paléolithique .jpg (en) Frances Densmore recording Mountain Chief2.jpg (en) Franz Schubert by Wilhelm August Rieder 1875.jpg (en) HaydnPlaying.jpg (en) Joseph Haydn.jpg (en) Samba de Roda da Nega Duda 1.jpg (en) Seikilos1.tif (en) Super alte Flöte.jpg (en) Traditional indonesian instrument being played at the indonesian embassy.jpg (en) |
| dbp:label | History of music (en) |
| dbp:link | Divje Babe Flute (en) |
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| dbp:portal | Blues (en) Classical music (en) History (en) Jazz (en) Latin music (en) Music (en) Opera (en) Pop music (en) Rhythm and blues (en) Rock music (en) |
| dbp:quote | And perform flawlessly upon their flutes. (en) The mouth organ and chime stones sound together; (en) They play the se-zither, play the qin-zither, (en) They sing the Ya and Nan Odes, (en) They strike the bells, kin, kin, (en) "But that music is a language by whose means messages are elaborated, that such messages can be understood by the many but sent out only by the few, and that it alone among all language unites the contradictory character of being at once intelligible and untranslatable—these facts make the creator of music a being like the gods and make music itself the supreme mystery of human knowledge." (en) |
| dbp:source | dbr:Claude_Lévi-Strauss dbr:The_Raw_and_the_Cooked Shijing, Ode 208, Gu Zhong (en) Translated by John S. Major (en) |
| dbp:title | Major traditions (en) Toccata and Fugue in D minor, BWV 565 by J.S. Bach (en) |
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| dbp:type | music (en) |
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| rdfs:comment | La història de la música és tant l'estudi de l'evolució que la música ha sofert al llarg dels temps, com —també— el conjunt de processos que aquesta evolució ha comportat. D'una banda és una disciplina d'estudi que s'insereix dins de la musicologia històrica i, de l'altra, és el resultat de les dades i interpretacions fetes pels musicòlegs i altres investigadors. Al seu torn, l'estudi de com aquest estudi de la història de la música ha anat evolucionant al llarg del temps es coneix com a . (ca) تاريخ الموسيقى هو منهج دراسي يدرس على نطاق واسع لتعليم الموسيقى وتاريخها في أمريكا الشمالية، ويتألف من عدة أجزاء ومراحل وهي: (ar) Die Geschichte der Musik oder auch Musikgeschichte ist die Darstellung der historischen Entwicklung von Musik und musikalischen Phänomenen. Traditionell umfasst sie unter anderem die historische Entwicklung des Gesangs und der Melodie, des Rhythmus, der Musikinstrumente, des Zusammenklangs und der Mehrstimmigkeit, der Harmonik und die Entwicklung der Schriftlichkeit und Vervielfältigung (Musik als Zeichensystem und Notation). Außerdem entwickelte die Musik eine Vielfalt von Darstellungsarten, Stilen und Ästhetiken, die ebenfalls Gegenstände der Musikgeschichte darstellen. Die allgemeine Musikgeschichte ist einer der Forschungsgegenstände der Historischen Musikwissenschaft. (de) Musikaren historia garai guztietan izan diren musika motak eta horien garapena aztertzen dituen saila da. Musika antzina-antzinatik existitzen da, ezagutzen ditugun lehen giza-arrastoak baino lehenagotik. (eu) L'histoire de la musique est l'étude de l'évolution de tous les types de musiques de toutes les régions du monde. (fr) この項目では、音楽史（おんがくし）、すなわち音楽の歴史について解説する。 (ja) 다음은 음악의 탄생과 발전에 대한 역사이다. (ko) La musica è un'espressione artistica appartenente a tutte le culture del nostro pianeta. Fonti ne attestano l'esistenza almeno a partire da 55 000 anni fa, con l'inizio del Paleolitico superiore. Alcuni studiosi ipotizzano la sua nascita in Africa, quando le prime comunità umane conosciute iniziarono a disperdersi sul globo. La storia della musica è una branca della musicologia e della storia che studia lo sviluppo cronologico delle idee e delle convenzioni musicali appartenenti a popoli differenti, con particolare riguardo alla musica d'arte di tradizione occidentale, ed è pertanto materia diffusa, sia nelle università che nelle scuole di musica di tutto il mondo. (it) Muziekgeschiedenis is een deelstroming van de geschiedenis die zich bezighoudt met de ontwikkeling van de muziek. Binnen dit onderwerp zijn de volgende deelgebieden te onderscheiden: * geschiedenis van de klassieke muziek * geschiedenis van de populaire muziek * geschiedenis van de muzieknotatie Sinds het einde van de negentiende eeuw hangt de ontwikkeling van de muziek en het ontstaan van nieuwe genres en muziekstijlen nauw samen met de geschiedenis van de geluidsopname. (nl) Musikens historia började i forntiden, innan det finns några skriftliga källor. Musik har ackompanjerat människans liv i alla dess skeden; födelse, giftermål, död, jakt och dans. Det finns flera utvecklingslinjer, bland andra den västerländska. Den vetenskap som studerar musikens historia kallas musikhistoria. (sv) Історія музики - історична дисципліна у музикознавстві що вивчає розвиток музичних культур, а також намагається наблизитися до реконструкції умов їх виникнення. (uk) 音樂存在於每個已知的文明，不論過去或現在，在不同時間和地點也有很大的變化。 世界上所有的人民，包括了孤立的民族，也有它的音樂形式，可以認為人類始祖在不同人種分散在世界各地之前已知曉音樂。所以音樂很可能已存在55,000年以上。第一個音樂或許在非洲發明，隨後演變為人類生活的一個基本部份。 一個文明的音樂受著該文明的其他層面影響，包括社會、經濟、经历、气候和所獲得的科技。音樂所表達的情感及想法，音樂演奏及聽眾的情景，以及對樂手和作曲者的态度在不同的地域和時期也大有不同。「音樂歷史」是音乐学的一個分枝，它時間順序對音乐的變化及發展（尤其是西方艺术音乐）進行研究。 (zh) Dějiny hudby jsou patrně stejně dlouhé jako dějiny lidské civilizace. Studuje je muzikologie, byť ta je zaměřena zvláště na západní klasickou hudbu a hudbu jako obecnější jev studují spíše sociální vědy jako kulturní antropologie, etnologie, kulturologie, kulturální studia či sociologie. Většina antropologů a kulturologů hudbu považuje za , tedy něco, co se vyvine v každé společnosti (doposavad byla hudba zaznamenána i u všech izolovaných kmenů), a co patrně vzniklo již na počátku lidské kultury, jakkoli je velmi obtížné studovat dějiny hudby před vynálezem záznamových zařízení a notových zápisů. Klíčem pro takové studium jsou předpokládané stopy hudební tradice v současných žánrech a archeologické nálezy hudebních nástrojů, nebo toho, co za ně považujeme. Předpokládá se, že hudba nebyla p (cs) Although definitions of music vary wildly throughout the world, every known culture partakes in it, and it is thus considered a cultural universal. The remain highly contentious; commentators often relate it to the origin of language, with much disagreement surrounding whether music arose before, after or simultaneously with language. Many theories have been proposed by scholars from a wide range of disciplines, though none have achieved broad approval. Most cultures have their own mythical origins concerning the invention of music, generally rooted in their respective mythological, religious or philosophical beliefs. (en) La historia de la música es el estudio de las diferentes tradiciones en la música y su orden en el planeta a lo largo del tiempo. Ya que en toda cultura conocida hubo alguna forma de manifestación musical, la historia de la música abarca todas las sociedades y épocas. No se limita, como es habitual en algunos ámbitos académicos, a Occidente, sin embargo a menudo se utiliza la expresión «historia de la música» para referir exclusivamente a la historia de la música europea y su evolución en el mundo occidental. (es) Musik ditemukan di setiap budaya, baik masa lalu maupun masa kini, menyesuaikan antara waktu dan tempat. Karena semua orang di dunia, termasuk kelompok suku yang paling terisolasi pun memiliki bentuk musik, dapat disimpulkan bahwa musik mungkin telah hadir di leluhur manusia sebelum penyebaran manusia di seluruh dunia. Akibatnya, musik mungkin telah ada selama setidaknya 55,000 tahun dan musik pertama mungkin telah ada di Afrika dan kemudian berkembang menjadi bagian dasar dari kehidupan manusia. (in) Embora as definições de música variem muito em todo o mundo, todas as culturas conhecidas participam dela, e a música é, portanto, considerada um universal cultural. As permanecem altamente controversas; comentaristas muitas vezes a relacionam com a origem da linguagem, com muita discordância em torno de se a música surgiu antes, depois ou simultaneamente com a linguagem. Muitas teorias foram propostas por estudiosos de uma ampla gama de disciplinas, embora nenhuma tenha alcançado ampla aprovação. A maioria das culturas tem seus próprios mitos fundadores relacionados à invenção da música, geralmente enraizados em suas respectivas crenças mitológicas, religiosas ou filosóficas. (pt) История музыки — отрасль музыковедения (наука и учебная дисциплина), изучающая музыку, в первую очередь европейскую, по эпохам, странам и школам. Музыка, как часть культуры, находится под влиянием всех остальных её аспектов, включая социально-экономическую организацию и опыт, климат, и доступ к технологиям. Эмоции и идеи, выражаемые в музыке, ситуации, в которых музыка исполняется и воспринимается, а также отношение к исполнителям и композиторам варьируются в зависимости от региона и эпохи. (ru) |
| rdfs:label | History of music (en) تاريخ الموسيقى (ar) Història de la música (ca) Dějiny hudby (cs) Geschichte der Musik (de) Musikaren historia (eu) Historia de la música (es) Sejarah musik (in) Histoire de la musique (fr) Storia della musica (it) 音楽史 (ja) 음악의 역사 (ko) Muziekgeschiedenis (nl) História da música (pt) История музыки (ru) Історія музики (uk) Musikens historia (sv) 音樂史 (zh) |
| rdfs:seeAlso | dbr:List_of_Byzantine_composers dbr:List_of_medieval_composers dbr:List_of_modernist_composers dbr:Music_archaeology dbr:List_of_Baroque_composers dbr:List_of_Carnatic_composers dbr:List_of_Classical-era_composers dbr:List_of_Renaissance_composers dbr:List_of_Romantic_composers |
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