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Papers by Claudia Quattrocchi
L’esegesi in figura, 2022
Dottorato di ricerca in embriologia medica. 12. ciclo. A.a. 1998-1999. Tutore Filadelfo Nardo. Co... more Dottorato di ricerca in embriologia medica. 12. ciclo. A.a. 1998-1999. Tutore Filadelfo Nardo. Coordinatore Santo SanfilippoConsiglio Nazionale delle Ricerche - Biblioteca Centrale - P.le Aldo Moro, 7, Rome; Biblioteca Nazionale Centrale - Piazza Cavalleggeri, 1, Florence / CNR - Consiglio Nazionale delle RichercheSIGLEITItal
Organizer o Marianne CaillouxUniversité de Lille Chair o Claudia QuattrochiBiblioteca Nazionale C... more Organizer
o Marianne CaillouxUniversité de Lille
Chair
o Claudia QuattrochiBiblioteca Nazionale Centrale di Roma
Roundtable Discussant
o Claudia QuattrochiBiblioteca Nazionale Centrale di Roma
This panel investigates how we can use new sets of thinking to analyse late medieval and early modern images, their agency and their multi-modality (Gell).
Arts
On the 9th of October, 1170 Pope Alexander III resided in Anagni, which had been the ancient resi... more On the 9th of October, 1170 Pope Alexander III resided in Anagni, which had been the ancient residence of the court of the Popes for at least two centuries. He wrote to two influential local archbishops for help in pacifying King Henry II and Archbishop Thomas Becket, who had been in dispute for six years. Sensing Becket’s looming tragic fate, Alexander III began slowly to encircle the archbishop with rhetoric of the new martyr of Libertas Ecclesiae. When he had to flee from Rome besieged by factions led by Frederick I, the pope found refuge in Segni, where he canonised Thomas Becket on 21 February 1173. However, it was in faithful Anagni that he settled on and off from March 1173 through the following years (November 1176; December 1177–March 1178; September 1179). It was here that he decided to elaborate a powerful speech in images. In an oratory in the crypt of the grandiose cathedral, Alexander III had the last painful moments of the Archbishop’s death painted in a program imita...
On the 9th of October, 1170 Pope Alexander III resided in Anagni, which had been the ancient resi... more On the 9th of October, 1170 Pope Alexander III resided in Anagni, which had been the ancient residence of the court of the Popes for at least two centuries. He wrote to two influential local archbishops for help in pacifying King Henry II and Archbishop Thomas Becket, who had been in dispute for six years. Sensing Becket’s looming tragic fate, Alexander III began slowly to encircle the archbishop with rhetoric of the new martyr of Libertas Ecclesiae. When he had to flee from Rome besieged by factions led by Frederick I, the pope found refuge in Segni, where he canonised Thomas Becket on 21 February 1173. However, it was in faithful Anagni that he settled on and off from March 1173 through the following years (November 1176; December 1177–March 1178; September 1179). It was here that he decided to elaborate a powerful speech in images. In an oratory in the crypt of the grandiose cathedral, Alexander III had the last painful moments of the Archbishop’s death painted in a program imitating that of St. Peter’s in the Vatican. Becket thus became the new imitator of Christ, the new Peter, the new martyr on the altar of the Church of Rome.
Sveva GAI (LWL-Archäologie für Westfalen Mittelalter-und Neuzeitarchäologie) Giulia OROFINO (Univ... more Sveva GAI (LWL-Archäologie für Westfalen Mittelalter-und Neuzeitarchäologie) Giulia OROFINO (Università di Cassino e del Lazio Meridionale) 25 GEOGRAFIE DELLE COMMITTENZE Dinamismo politico, artistico e culturale nell'Italia centro meridionale (IX-XIV secolo) Progetto1_geografie delle committenze_ok.qxp_Layout 1 06/06/21 19:07 Pagina 3 GEOGRAFIE DELLE COMMITTENZE Dinamismo politico, artistico e culturale nell'Italia centro meridionale (IX-XIV secolo) a cura di Alessio MONCIATTI
"Atti dell'Anno innocenziano per gli 800 anni dalla morte di Innocenzo III" (1216-2016) a cura di... more "Atti dell'Anno innocenziano per gli 800 anni dalla morte di Innocenzo III" (1216-2016) a cura di Federica Romiti, Il Cerchio 2019, pp. 107-128
può essere riprodotta o trasmessa in qualsiasi forma o con qualsiasi mezzo elettronico, meccanico... more può essere riprodotta o trasmessa in qualsiasi forma o con qualsiasi mezzo elettronico, meccanico o altro senza l'autorizzazione scritta dei proprietari dei diritti e dell'editore.
The article deals with medieval frescoes in Santa Maria in Monte Dominici in Marcellina (at Tivol... more The article deals with medieval frescoes in Santa Maria in Monte Dominici in Marcellina (at Tivoli). Starting from the iconography of fragmentary paintings on the counter-facade, I investigated a rare apocalyptic subject: "St. Michael and the last revolt of the rebellious angels." Through the study of some examples (especially San Pietro al Monte, Civate), I analyzed the whole meaning of the cycle with two related proposals chronological
Conference Presentations by Claudia Quattrocchi
Before Narrative: A multifocal method for mapping mural decoration in Central Italy, 2022
![Research paper thumbnail of “[...] cum omnibus officiniis perfecitur in amplitudine [...]”. Precisazioni e nuove proposte per le committenze nella cripta della cattedrale di Anagni- VIII. FIERI FECIT. ZUM STIFTERWESEN IN ROM UND DER CAMPAGNA ROMANA, 1050 – 1300](https://attachments.academia-assets.com/58646478/thumbnails/1.jpg)
](QUARTO CONGRESSO SVIZZERO DI STORIA DELL'ARTE FOURTH SWISS CONGRESS FOR ART HISTORY 6 -8 GIUGNO 2... more QUARTO CONGRESSO SVIZZERO DI STORIA DELL'ARTE FOURTH SWISS CONGRESS FOR ART HISTORY 6 -8 GIUGNO 2019 UNIVERSITÀ DELLA SVIZZERA ITALIANA, MENDRISIO ACCADEMIA DI ARCHITETTURA
Re-reading Hebrew Scriptures: Old Testament Cycles in Medieval Wall Painting, Convegno internazio... more Re-reading Hebrew Scriptures: Old Testament Cycles in Medieval Wall Painting, Convegno internazionale, Milano (16-18 ottobre)
Status quaestionis of the study of Stefano Conti and the Conti family as patrons of arts (forthco... more Status quaestionis of the study of Stefano Conti and the Conti family as patrons of arts (forthcoming).
L’esegesi in figura, 2022
Dottorato di ricerca in embriologia medica. 12. ciclo. A.a. 1998-1999. Tutore Filadelfo Nardo. Co... more Dottorato di ricerca in embriologia medica. 12. ciclo. A.a. 1998-1999. Tutore Filadelfo Nardo. Coordinatore Santo SanfilippoConsiglio Nazionale delle Ricerche - Biblioteca Centrale - P.le Aldo Moro, 7, Rome; Biblioteca Nazionale Centrale - Piazza Cavalleggeri, 1, Florence / CNR - Consiglio Nazionale delle RichercheSIGLEITItal
Organizer o Marianne CaillouxUniversité de Lille Chair o Claudia QuattrochiBiblioteca Nazionale C... more Organizer
o Marianne CaillouxUniversité de Lille
Chair
o Claudia QuattrochiBiblioteca Nazionale Centrale di Roma
Roundtable Discussant
o Claudia QuattrochiBiblioteca Nazionale Centrale di Roma
This panel investigates how we can use new sets of thinking to analyse late medieval and early modern images, their agency and their multi-modality (Gell).
Arts
On the 9th of October, 1170 Pope Alexander III resided in Anagni, which had been the ancient resi... more On the 9th of October, 1170 Pope Alexander III resided in Anagni, which had been the ancient residence of the court of the Popes for at least two centuries. He wrote to two influential local archbishops for help in pacifying King Henry II and Archbishop Thomas Becket, who had been in dispute for six years. Sensing Becket’s looming tragic fate, Alexander III began slowly to encircle the archbishop with rhetoric of the new martyr of Libertas Ecclesiae. When he had to flee from Rome besieged by factions led by Frederick I, the pope found refuge in Segni, where he canonised Thomas Becket on 21 February 1173. However, it was in faithful Anagni that he settled on and off from March 1173 through the following years (November 1176; December 1177–March 1178; September 1179). It was here that he decided to elaborate a powerful speech in images. In an oratory in the crypt of the grandiose cathedral, Alexander III had the last painful moments of the Archbishop’s death painted in a program imita...
On the 9th of October, 1170 Pope Alexander III resided in Anagni, which had been the ancient resi... more On the 9th of October, 1170 Pope Alexander III resided in Anagni, which had been the ancient residence of the court of the Popes for at least two centuries. He wrote to two influential local archbishops for help in pacifying King Henry II and Archbishop Thomas Becket, who had been in dispute for six years. Sensing Becket’s looming tragic fate, Alexander III began slowly to encircle the archbishop with rhetoric of the new martyr of Libertas Ecclesiae. When he had to flee from Rome besieged by factions led by Frederick I, the pope found refuge in Segni, where he canonised Thomas Becket on 21 February 1173. However, it was in faithful Anagni that he settled on and off from March 1173 through the following years (November 1176; December 1177–March 1178; September 1179). It was here that he decided to elaborate a powerful speech in images. In an oratory in the crypt of the grandiose cathedral, Alexander III had the last painful moments of the Archbishop’s death painted in a program imitating that of St. Peter’s in the Vatican. Becket thus became the new imitator of Christ, the new Peter, the new martyr on the altar of the Church of Rome.
Sveva GAI (LWL-Archäologie für Westfalen Mittelalter-und Neuzeitarchäologie) Giulia OROFINO (Univ... more Sveva GAI (LWL-Archäologie für Westfalen Mittelalter-und Neuzeitarchäologie) Giulia OROFINO (Università di Cassino e del Lazio Meridionale) 25 GEOGRAFIE DELLE COMMITTENZE Dinamismo politico, artistico e culturale nell'Italia centro meridionale (IX-XIV secolo) Progetto1_geografie delle committenze_ok.qxp_Layout 1 06/06/21 19:07 Pagina 3 GEOGRAFIE DELLE COMMITTENZE Dinamismo politico, artistico e culturale nell'Italia centro meridionale (IX-XIV secolo) a cura di Alessio MONCIATTI
"Atti dell'Anno innocenziano per gli 800 anni dalla morte di Innocenzo III" (1216-2016) a cura di... more "Atti dell'Anno innocenziano per gli 800 anni dalla morte di Innocenzo III" (1216-2016) a cura di Federica Romiti, Il Cerchio 2019, pp. 107-128
può essere riprodotta o trasmessa in qualsiasi forma o con qualsiasi mezzo elettronico, meccanico... more può essere riprodotta o trasmessa in qualsiasi forma o con qualsiasi mezzo elettronico, meccanico o altro senza l'autorizzazione scritta dei proprietari dei diritti e dell'editore.
The article deals with medieval frescoes in Santa Maria in Monte Dominici in Marcellina (at Tivol... more The article deals with medieval frescoes in Santa Maria in Monte Dominici in Marcellina (at Tivoli). Starting from the iconography of fragmentary paintings on the counter-facade, I investigated a rare apocalyptic subject: "St. Michael and the last revolt of the rebellious angels." Through the study of some examples (especially San Pietro al Monte, Civate), I analyzed the whole meaning of the cycle with two related proposals chronological
Before Narrative: A multifocal method for mapping mural decoration in Central Italy, 2022
QUARTO CONGRESSO SVIZZERO DI STORIA DELL'ARTE FOURTH SWISS CONGRESS FOR ART HISTORY 6 -8 GIUGNO 2... more QUARTO CONGRESSO SVIZZERO DI STORIA DELL'ARTE FOURTH SWISS CONGRESS FOR ART HISTORY 6 -8 GIUGNO 2019 UNIVERSITÀ DELLA SVIZZERA ITALIANA, MENDRISIO ACCADEMIA DI ARCHITETTURA
Re-reading Hebrew Scriptures: Old Testament Cycles in Medieval Wall Painting, Convegno internazio... more Re-reading Hebrew Scriptures: Old Testament Cycles in Medieval Wall Painting, Convegno internazionale, Milano (16-18 ottobre)
Status quaestionis of the study of Stefano Conti and the Conti family as patrons of arts (forthco... more Status quaestionis of the study of Stefano Conti and the Conti family as patrons of arts (forthcoming).
Cathedral of Anagni, Oratory of San Thomas Becket, 2008. The restorations give readability to abo... more Cathedral of Anagni, Oratory of San Thomas Becket, 2008. The restorations give readability to about 180 square meters of paintings that represent one of the most original copies of the decoration of St. Peter's in the Vatican in the Middle Ages. Here is preserved the oldest representation of the last moments of the life of St. Thomas Becket.
What links the story of this English saint to the city of Anagni? Who wanted this artistic job? Why have episodes related to St. Thomas Becket been included in a "Vatican Imitation" cycle?
This book is the first complete study of the Oratory of San Thomas Becket, understanding its aspect of material, artistic and historical testimony.