Gabriele Taschetti | Università degli Studi di Padova (original) (raw)
Articles and Book Chapters by Gabriele Taschetti
De musica disserenda, Vol. 19 No. 2 (2023): Authentic, Fake or Mistaken Identity? Creation, Recreation, Deception and Forgery in Music , 2023
Through the recent identification of the model for a contrafactum, a composition by Domenico Mich... more Through the recent identification of the model for a contrafactum, a composition by Domenico Micheli dedicated to Tarquinia Molza has been discovered. This has turned out to be of earlier date than those dedicated to her by other composers. The incompletely preserved madrigal can be partially reconstructed with the aid of the parts belonging to the contrafactum and opens up new research perspectives on Molza and Micheli as well as on the process of retextualization carried out by Geronimo Cavaglieri, author of the new text.
Musica e cultura nella Padova di Pietro Bembo, ed. Cristina Cassia, 2023
Giuseppe Tartini: Fundamental Questions, ed. Gabriele Taschetti, 2022
In 1895, an essay by Giovanni Tebaldini brought universal attention to the substantial collection... more In 1895, an essay by Giovanni Tebaldini brought universal attention to the substantial collection of music by Giuseppe Tartini housed in the Musical Archive of the Veneranda Arca del Santo in Padua. The Arca's board faced numerous requests for consultation or copies of the scores for study or performance purposes, without established guidelines to follow. The publication of the music emerged as a potential solution to this issue. A commission composed of Giuseppe Martucci, Cesare Pollini, and Oreste Ravanello was appointed by the Arca to assess the possibility and approach for publishing Tartini's music preserved in the archive. However, this initiative was eventually abandoned within a few years. This contribution offers an initial account of this history based on documentary sources.
Storie interrotte. Riconoscere e valorizzare il patrimonio dimenticato, eds. Veronica Gallo, Marta Previti, Clelia Sbrolli, Gabriele Taschetti, Luca Zamparo, 2022
Numerous printed music editions from the 16th and 17th centuries have reached us in an incomplete... more Numerous printed music editions from the 16th and 17th centuries have reached us in an incomplete state. Taking the case study of the collection 'Motetti concertati a due voci' by Tomaso Cecchini (Venice, 1613), this article aims to present theoretical and methodological reflections, outlining a potential approach to enhance the value of incomplete repertoire. Additionally, it briefly touches upon the challenge of reconstructing the missing parts.
Između Srednje Europe i Mediterana: glazba, književnost i izvedbene umjetnosti / Between Central Europe and the Mediterranean: Music, Literature and the Performing Arts, eds. Ivana Tomić Ferić, Antonela Marić, 2021
The Op. 14 by Tomaso Cecchini (c1583–1644) was published in 1619, when the composer had been acti... more The Op. 14 by Tomaso Cecchini (c1583–1644) was published in 1619, when the composer had been active in Lesina (Hvar) as maestro di cappella of the cathedral already for five years, having the support of the local nobility and clergy. The lines in the dedicatory letter of the collection, apparently the typical passage of an eminently laudatory character, hide the suggestions of a complex diplomatic affair. Signed by the canon of Hvar Nicolaus De Vivis (1582–?), and addressed to the Hungarian bishop Janos Erdődy (1589–1626), it crosses the stories and ambitions of power of various personalities between Venetian Dalmatia, Kingdom of Hungary and Rome. This article aims to reconstruct the cultural context in which Cecchini’s opus and its dedication were conceived and to briefly illustrate the nature of the compositions in the collection.
Venice, Schiavoni and the Dissemination of Early Modern Music: A Companion to Ivan Lukačić, eds. Ennio Stipčević, Vito Balić, Vincent Besson, 2022
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system,... more All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without the prior permission of the publisher. Arts Academy in Split Umjetnička akademija u Splitu.
Music Patronage in Italy, ed. Galliano Ciliberti, 2021
The biography and philosophy of the archbishop of Spalato, the relapsed heretic and ‘twice conver... more The biography and philosophy of the archbishop of Spalato, the relapsed heretic and ‘twice converted’ Marcantonio De Dominis (1560-1624), wielded great influence throughout the Europe of his time. His life story saw two climaxes, firstly in 1616 when he renounced the post of archbishop and fled to England, and then in 1624, a few months after his death, when his corpse was burnt along with his writings in Campo dei Fiori in Rome. At the margin of this story we find the figure of Tomaso Cecchini (c.1583-1644), a composer who after having worked in Spalato (Split) as chapelmaster during the episcopacy of De Dominis, left the city in 1614. Only in 1624, shortly after the death of the archbishop, was he able to freely admit that he had moved away from Spalato because he was «forced by serious circumstances». In the light of the biography of Marcantonio De Dominis, the present article attempts to retrace the career of Tomaso Cecchini and his relations with the various patrons and dedicatees of his works, influenced on several occasions by the uncomfortable figure of the archbishop.
Contrafacta. Modes of Music Re-textualization in the Late Sixteenth and Seventeenth Century, eds. Marina Toffetti, Gabriele Taschetti, 2020
The present volume offers a reflection on the phenomenon of the re-textualization of vocal music ... more The present volume offers a reflection on the phenomenon of the re-textualization of vocal music in the 16th and 17th century. Its main object of investigation is the contrafactum, an intertextual artifact par excellence that is studied here from multiple points of view.
The first part of the book examines some procedures of textual substitution carried out in various parts of Europe by poets, literati, men of culture, or culturally updated members of the clergy, who produced highly refined contrafacta.
The second part deals with the adaptation of texts dictated by necessities of various kinds (celebratory, political, confessional), often made in a hasty manner and re-using pre-existing vocal compositions, but still able to reveal significant aspects of the history of religious culture in Europe at the time of the Reformations.
Furthermore, it represents a useful work tool for anyone wishing to carry on the research into the European assimilation of the secular vocal forms in the Italian language, by making available to the reader a description of the contents of most printed collections including contrafacta published in Europe between 1576 and 1649.
Full-text here https://mi.pl/pl/p/Marina-Toffetti%2C-Gabriele-Taschetti-eds.-Contrafacta.-Modes-of-Music-Re-textualization-in-the-Late-Sixteenth-and-Seventeenth-Century/433
La Chiesa Evangelica Metodista di Padova: appunti di storia nel 150° anniversario della sua fondazione (1886-2016), ed. Vincenzo Vozza, 2017
Critical editions by Gabriele Taschetti
Tomaso Cecchini Psalmi, missa, et alia cantica quinque vocibus (1619). Opera omnia, sv. 6. Zagreb... more Tomaso Cecchini Psalmi, missa, et alia cantica quinque vocibus (1619). Opera omnia, sv. 6. Zagreb: MIC, 2019
Edited books by Gabriele Taschetti
Giuseppe Tartini: Fundamental Questions. Berlin: Peter Lang, 2022
Preface Introduction The Tartini Moment (Sergio Durante) Part I In the Age of Enlightenment C... more Preface
Introduction
The Tartini Moment (Sergio Durante)
Part I In the Age of Enlightenment
Classicism and Grace as Leading Aesthetic Principles for the Music of the Age of Enlightenment (Raffaele Mellace)
Tartini and the Enlightenment: Research Notes (Cesare Fertonani)
The Sonatas Op. 2 by Giuseppe Tartini: A Tribute to a Young Man from East Indies (Guido Viverit)
Tartini’s Musical ‘Canonization’ in the Italian Philosophical Thinking of His Time (Paola Besutti)
Bach, Tartini and Their Network (Pierpaolo Polzonetti)
Part II Images and Imagination
The Different Sides of Giuseppe Tartini: Iconography (Chiara Bombardini)
Tartini and the Psychoanalyst: Dreams and Musical Creation (Roberta Guarnieri)
Giuseppe Tartini and the Christian Faith: Obsequium or Pietas? (Fabio Dal Corobbo)
From the Dream to the Nightmare Investigator: Tartini between Literature and Mythography (Valentina Confuorto)
Giuseppe Tartini as a (Missed) Opportunity for Slovenia’s Cultural Diplomacy (Boštjan Udovič and Matevž Štepec)
Part III Sources and Editions
Giuseppe Martucci, Cesare Pollini, Oreste Ravanello and the Destiny of Tartini’s Paduan Manuscripts (Gabriele Taschetti)
Tartini’s Re-Formulation Strategies in Alternative Concerto Movements (Agnese Pavanello)
Giuseppe Tartini’s Trio Sonatas: Environment, Main Copyists and Main Sources (Juan Mariano Porta)
The Sonatas in Four Parts by Giuseppe Tartini: New Perspectives (Federico Lanzellotti)
Index
The present volume offers a reflection on the phenomenon of the re-textualization of vocal music ... more The present volume offers a reflection on the phenomenon of the re-textualization of vocal music in the 16th and 17th century. Its main object of investigation is the contrafactum, an intertextual artifact par excellence that is studied here from multiple points of view.
The first part of the book examines some procedures of textual substitution carried out in various parts of Europe by poets, literati, men of culture, or culturally updated members of the clergy, who produced highly refined contrafacta.
The second part deals with the adaptation of texts dictated by necessities of various kinds (celebratory, political, confessional), often made in a hasty manner and re-using pre-existing vocal compositions, but still able to reveal significant aspects of the history of religious culture in Europe at the time of the Reformations.
Furthermore, it represents a useful work tool for anyone wishing to carry on the research into the European assimilation of the secular vocal forms in the Italian language, by making available to the reader a description of the contents of most printed collections including contrafacta published in Europe between 1576 and 1649.
Full-text here https://mi.pl/pl/p/Marina-Toffetti%2C-Gabriele-Taschetti-eds.-Contrafacta.-Modes-of-Music-Re-textualization-in-the-Late-Sixteenth-and-Seventeenth-Century/433
Other by Gabriele Taschetti
BA Thesis, University of Padua, Dec 7, 2016
This thesis explores the differences between the first and second editions of Giovanni Ghizzolo's... more This thesis explores the differences between the first and second editions of Giovanni Ghizzolo's third book of motets. The second edition introduces significant changes, such as the omission of a composition and the addition of the "Agnus Dei" section at the end of the Litanies. Additionally, the organ partbook of the second edition replaces the short-score format with a single-stave basso. Furthermore, certain motets feature completely rewritten sections, suggesting different strategies in terms of formal and tonal organisation.
Conference Presentations by Gabriele Taschetti
"Giuseppe Tartini (1692-1770). European Paths, Networks, Legacy", Department of Arts and Musicolo... more "Giuseppe Tartini (1692-1770). European Paths, Networks, Legacy", Department of Arts and Musicology, University of Graz, 12-14 December 2023
"Biennial Baroque Geneva 2023", Haute école de musique de Genève, 29 June 2023 - 2 July 2023
XXVII Incontro dei Dottorati di ricerca in Discipline musicali, 26 maggio 2023, associazione «Il ... more XXVII Incontro dei Dottorati di ricerca in Discipline musicali, 26 maggio 2023, associazione «Il Saggiatore musicale» in collaborazione con ADUIM - Associazione fra Docenti Universitari Italiani di Musica, Dipartimento delle Arti - Università di Bologna, Bologna, Palazzo Marescotti Brazzetti, Salone Marescotti
"Restoring Fragmentary Cultural Heritage: Philological Perspectives, Reconstructive Methodologies... more "Restoring Fragmentary Cultural Heritage: Philological Perspectives, Reconstructive Methodologies", Padova, 3 maggio 2023, Dipartimento dei Bei Culturali, Sala Sartori - Aula Diano, Piazza Capitaniato 7. RISM Social media highlights of 2023 https://rism.info/events/2024/01/18/looking-back-on-2023.html
"Musica e Liturgia in Italia nel Sei e Settecento", Bologna, 21-22 aprile 2023, Officina San Fran... more "Musica e Liturgia in Italia nel Sei e Settecento", Bologna, 21-22 aprile 2023, Officina San Francesco Bologna, Sezione Musica Padre Giambattista Martini, Biblioteca San Francesco, piazza San Francesco
De musica disserenda, Vol. 19 No. 2 (2023): Authentic, Fake or Mistaken Identity? Creation, Recreation, Deception and Forgery in Music , 2023
Through the recent identification of the model for a contrafactum, a composition by Domenico Mich... more Through the recent identification of the model for a contrafactum, a composition by Domenico Micheli dedicated to Tarquinia Molza has been discovered. This has turned out to be of earlier date than those dedicated to her by other composers. The incompletely preserved madrigal can be partially reconstructed with the aid of the parts belonging to the contrafactum and opens up new research perspectives on Molza and Micheli as well as on the process of retextualization carried out by Geronimo Cavaglieri, author of the new text.
Musica e cultura nella Padova di Pietro Bembo, ed. Cristina Cassia, 2023
Giuseppe Tartini: Fundamental Questions, ed. Gabriele Taschetti, 2022
In 1895, an essay by Giovanni Tebaldini brought universal attention to the substantial collection... more In 1895, an essay by Giovanni Tebaldini brought universal attention to the substantial collection of music by Giuseppe Tartini housed in the Musical Archive of the Veneranda Arca del Santo in Padua. The Arca's board faced numerous requests for consultation or copies of the scores for study or performance purposes, without established guidelines to follow. The publication of the music emerged as a potential solution to this issue. A commission composed of Giuseppe Martucci, Cesare Pollini, and Oreste Ravanello was appointed by the Arca to assess the possibility and approach for publishing Tartini's music preserved in the archive. However, this initiative was eventually abandoned within a few years. This contribution offers an initial account of this history based on documentary sources.
Storie interrotte. Riconoscere e valorizzare il patrimonio dimenticato, eds. Veronica Gallo, Marta Previti, Clelia Sbrolli, Gabriele Taschetti, Luca Zamparo, 2022
Numerous printed music editions from the 16th and 17th centuries have reached us in an incomplete... more Numerous printed music editions from the 16th and 17th centuries have reached us in an incomplete state. Taking the case study of the collection 'Motetti concertati a due voci' by Tomaso Cecchini (Venice, 1613), this article aims to present theoretical and methodological reflections, outlining a potential approach to enhance the value of incomplete repertoire. Additionally, it briefly touches upon the challenge of reconstructing the missing parts.
Između Srednje Europe i Mediterana: glazba, književnost i izvedbene umjetnosti / Between Central Europe and the Mediterranean: Music, Literature and the Performing Arts, eds. Ivana Tomić Ferić, Antonela Marić, 2021
The Op. 14 by Tomaso Cecchini (c1583–1644) was published in 1619, when the composer had been acti... more The Op. 14 by Tomaso Cecchini (c1583–1644) was published in 1619, when the composer had been active in Lesina (Hvar) as maestro di cappella of the cathedral already for five years, having the support of the local nobility and clergy. The lines in the dedicatory letter of the collection, apparently the typical passage of an eminently laudatory character, hide the suggestions of a complex diplomatic affair. Signed by the canon of Hvar Nicolaus De Vivis (1582–?), and addressed to the Hungarian bishop Janos Erdődy (1589–1626), it crosses the stories and ambitions of power of various personalities between Venetian Dalmatia, Kingdom of Hungary and Rome. This article aims to reconstruct the cultural context in which Cecchini’s opus and its dedication were conceived and to briefly illustrate the nature of the compositions in the collection.
Venice, Schiavoni and the Dissemination of Early Modern Music: A Companion to Ivan Lukačić, eds. Ennio Stipčević, Vito Balić, Vincent Besson, 2022
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system,... more All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without the prior permission of the publisher. Arts Academy in Split Umjetnička akademija u Splitu.
Music Patronage in Italy, ed. Galliano Ciliberti, 2021
The biography and philosophy of the archbishop of Spalato, the relapsed heretic and ‘twice conver... more The biography and philosophy of the archbishop of Spalato, the relapsed heretic and ‘twice converted’ Marcantonio De Dominis (1560-1624), wielded great influence throughout the Europe of his time. His life story saw two climaxes, firstly in 1616 when he renounced the post of archbishop and fled to England, and then in 1624, a few months after his death, when his corpse was burnt along with his writings in Campo dei Fiori in Rome. At the margin of this story we find the figure of Tomaso Cecchini (c.1583-1644), a composer who after having worked in Spalato (Split) as chapelmaster during the episcopacy of De Dominis, left the city in 1614. Only in 1624, shortly after the death of the archbishop, was he able to freely admit that he had moved away from Spalato because he was «forced by serious circumstances». In the light of the biography of Marcantonio De Dominis, the present article attempts to retrace the career of Tomaso Cecchini and his relations with the various patrons and dedicatees of his works, influenced on several occasions by the uncomfortable figure of the archbishop.
Contrafacta. Modes of Music Re-textualization in the Late Sixteenth and Seventeenth Century, eds. Marina Toffetti, Gabriele Taschetti, 2020
The present volume offers a reflection on the phenomenon of the re-textualization of vocal music ... more The present volume offers a reflection on the phenomenon of the re-textualization of vocal music in the 16th and 17th century. Its main object of investigation is the contrafactum, an intertextual artifact par excellence that is studied here from multiple points of view.
The first part of the book examines some procedures of textual substitution carried out in various parts of Europe by poets, literati, men of culture, or culturally updated members of the clergy, who produced highly refined contrafacta.
The second part deals with the adaptation of texts dictated by necessities of various kinds (celebratory, political, confessional), often made in a hasty manner and re-using pre-existing vocal compositions, but still able to reveal significant aspects of the history of religious culture in Europe at the time of the Reformations.
Furthermore, it represents a useful work tool for anyone wishing to carry on the research into the European assimilation of the secular vocal forms in the Italian language, by making available to the reader a description of the contents of most printed collections including contrafacta published in Europe between 1576 and 1649.
Full-text here https://mi.pl/pl/p/Marina-Toffetti%2C-Gabriele-Taschetti-eds.-Contrafacta.-Modes-of-Music-Re-textualization-in-the-Late-Sixteenth-and-Seventeenth-Century/433
La Chiesa Evangelica Metodista di Padova: appunti di storia nel 150° anniversario della sua fondazione (1886-2016), ed. Vincenzo Vozza, 2017
Tomaso Cecchini Psalmi, missa, et alia cantica quinque vocibus (1619). Opera omnia, sv. 6. Zagreb... more Tomaso Cecchini Psalmi, missa, et alia cantica quinque vocibus (1619). Opera omnia, sv. 6. Zagreb: MIC, 2019
Giuseppe Tartini: Fundamental Questions. Berlin: Peter Lang, 2022
Preface Introduction The Tartini Moment (Sergio Durante) Part I In the Age of Enlightenment C... more Preface
Introduction
The Tartini Moment (Sergio Durante)
Part I In the Age of Enlightenment
Classicism and Grace as Leading Aesthetic Principles for the Music of the Age of Enlightenment (Raffaele Mellace)
Tartini and the Enlightenment: Research Notes (Cesare Fertonani)
The Sonatas Op. 2 by Giuseppe Tartini: A Tribute to a Young Man from East Indies (Guido Viverit)
Tartini’s Musical ‘Canonization’ in the Italian Philosophical Thinking of His Time (Paola Besutti)
Bach, Tartini and Their Network (Pierpaolo Polzonetti)
Part II Images and Imagination
The Different Sides of Giuseppe Tartini: Iconography (Chiara Bombardini)
Tartini and the Psychoanalyst: Dreams and Musical Creation (Roberta Guarnieri)
Giuseppe Tartini and the Christian Faith: Obsequium or Pietas? (Fabio Dal Corobbo)
From the Dream to the Nightmare Investigator: Tartini between Literature and Mythography (Valentina Confuorto)
Giuseppe Tartini as a (Missed) Opportunity for Slovenia’s Cultural Diplomacy (Boštjan Udovič and Matevž Štepec)
Part III Sources and Editions
Giuseppe Martucci, Cesare Pollini, Oreste Ravanello and the Destiny of Tartini’s Paduan Manuscripts (Gabriele Taschetti)
Tartini’s Re-Formulation Strategies in Alternative Concerto Movements (Agnese Pavanello)
Giuseppe Tartini’s Trio Sonatas: Environment, Main Copyists and Main Sources (Juan Mariano Porta)
The Sonatas in Four Parts by Giuseppe Tartini: New Perspectives (Federico Lanzellotti)
Index
The present volume offers a reflection on the phenomenon of the re-textualization of vocal music ... more The present volume offers a reflection on the phenomenon of the re-textualization of vocal music in the 16th and 17th century. Its main object of investigation is the contrafactum, an intertextual artifact par excellence that is studied here from multiple points of view.
The first part of the book examines some procedures of textual substitution carried out in various parts of Europe by poets, literati, men of culture, or culturally updated members of the clergy, who produced highly refined contrafacta.
The second part deals with the adaptation of texts dictated by necessities of various kinds (celebratory, political, confessional), often made in a hasty manner and re-using pre-existing vocal compositions, but still able to reveal significant aspects of the history of religious culture in Europe at the time of the Reformations.
Furthermore, it represents a useful work tool for anyone wishing to carry on the research into the European assimilation of the secular vocal forms in the Italian language, by making available to the reader a description of the contents of most printed collections including contrafacta published in Europe between 1576 and 1649.
Full-text here https://mi.pl/pl/p/Marina-Toffetti%2C-Gabriele-Taschetti-eds.-Contrafacta.-Modes-of-Music-Re-textualization-in-the-Late-Sixteenth-and-Seventeenth-Century/433
BA Thesis, University of Padua, Dec 7, 2016
This thesis explores the differences between the first and second editions of Giovanni Ghizzolo's... more This thesis explores the differences between the first and second editions of Giovanni Ghizzolo's third book of motets. The second edition introduces significant changes, such as the omission of a composition and the addition of the "Agnus Dei" section at the end of the Litanies. Additionally, the organ partbook of the second edition replaces the short-score format with a single-stave basso. Furthermore, certain motets feature completely rewritten sections, suggesting different strategies in terms of formal and tonal organisation.
"Giuseppe Tartini (1692-1770). European Paths, Networks, Legacy", Department of Arts and Musicolo... more "Giuseppe Tartini (1692-1770). European Paths, Networks, Legacy", Department of Arts and Musicology, University of Graz, 12-14 December 2023
"Biennial Baroque Geneva 2023", Haute école de musique de Genève, 29 June 2023 - 2 July 2023
XXVII Incontro dei Dottorati di ricerca in Discipline musicali, 26 maggio 2023, associazione «Il ... more XXVII Incontro dei Dottorati di ricerca in Discipline musicali, 26 maggio 2023, associazione «Il Saggiatore musicale» in collaborazione con ADUIM - Associazione fra Docenti Universitari Italiani di Musica, Dipartimento delle Arti - Università di Bologna, Bologna, Palazzo Marescotti Brazzetti, Salone Marescotti
"Restoring Fragmentary Cultural Heritage: Philological Perspectives, Reconstructive Methodologies... more "Restoring Fragmentary Cultural Heritage: Philological Perspectives, Reconstructive Methodologies", Padova, 3 maggio 2023, Dipartimento dei Bei Culturali, Sala Sartori - Aula Diano, Piazza Capitaniato 7. RISM Social media highlights of 2023 https://rism.info/events/2024/01/18/looking-back-on-2023.html
"Musica e Liturgia in Italia nel Sei e Settecento", Bologna, 21-22 aprile 2023, Officina San Fran... more "Musica e Liturgia in Italia nel Sei e Settecento", Bologna, 21-22 aprile 2023, Officina San Francesco Bologna, Sezione Musica Padre Giambattista Martini, Biblioteca San Francesco, piazza San Francesco
Società Italiana di Musicologia, XXIX convegno annuale, Cremona, 21-23 ottobre 2022, Palazzo Raim... more Società Italiana di Musicologia, XXIX convegno annuale, Cremona, 21-23 ottobre 2022, Palazzo Raimondi, corso Garibaldi 178
IMS 2022. 21st Quinquennial Congress of the International Musicological Society, August 22–26, 20... more IMS 2022. 21st Quinquennial Congress of the International Musicological Society, August 22–26, 2022, Athens, Greece
International Medieval and Renaissance Music Conference, Uppsala University, 4-7 July 2022. 50th ... more International Medieval and Renaissance Music Conference, Uppsala University, 4-7 July 2022. 50th Anniversary
"Storie interrotte. Riconoscere e valorizzare il patrimonio dimenticato", 25-26 novembre 2021, Au... more "Storie interrotte. Riconoscere e valorizzare il patrimonio dimenticato", 25-26 novembre 2021, Aula Nievo - Palazzo Bo - PADOVA
Re-textualizing Music Contrafact as a Complex Cultural Process Round table and open discussion. P... more Re-textualizing Music Contrafact as a Complex Cultural Process Round table and open discussion. Padova, Dipartimento dei Beni Culturali Sala Sartori, November 16th 2021
Venticinquesimo Colloquio di Musicologia del «Saggiatore musicale», Ravenna, 12-14 novembre 2021,... more Venticinquesimo Colloquio di Musicologia del «Saggiatore musicale», Ravenna, 12-14 novembre 2021, Palazzo Strocchi, via degli Ariani 1 Palazzo Corradini, via Angelo Mariani 5 in collaborazione con il Dipartimento di Beni culturali e con il Centro La Soffitta del Dipartimento delle Arti Alma Mater Studiorum - Università di Bologna
Società Italiana di Musicologia, XXVIII Convegno annuale, Roma, 29-31 ottobre 2021, Accademia Naz... more Società Italiana di Musicologia, XXVIII Convegno annuale, Roma, 29-31 ottobre 2021, Accademia Nazionale di Santa Cecilia, Auditorium Parco della Musica
Authentic, Fake or Mistaken Identity? Creation, Recreation, Deception and Forgery in Music. Ljubl... more Authentic, Fake or Mistaken Identity? Creation, Recreation, Deception and Forgery in Music. Ljubljana, Novi trg 4 (second floor), Mala dvorana ZRC SAZU. Thursday 21– Friday 22 October 2021
The Figured Bass Accompaniment in Europe. International Virtual Conference. 9-12 September 2021. ... more The Figured Bass Accompaniment in Europe. International Virtual Conference. 9-12 September 2021. Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca, PALMA CHORALIS® . Research Group & Early Music Ensemble, Dipartimento di Musica Antica ‘Città di Brescia’
XVII Convegno Internazionale di Analisi e Teoria Musicale, 26-29 Novembre 2020, su piattaforma on... more XVII Convegno Internazionale di Analisi e Teoria Musicale, 26-29 Novembre 2020, su piattaforma online
American Musicological Society 2020 Annual Meeting. 7–8 and 14–15 November 2020. Online
Tartini e la cultura musicale dell’Illuminismo, 20-21 ottobre 2020, Padova, Sala Rossini - Caffè ... more Tartini e la cultura musicale dell’Illuminismo, 20-21 ottobre 2020, Padova, Sala Rossini - Caffè Pedrocchi, Aula Magna - Complesso Beato Pellegrino
Società Italiana di Musicologia, XXVII convegno annuale, Siena, 16-18 ottobre 2020, Università di... more Società Italiana di Musicologia, XXVII convegno annuale, Siena, 16-18 ottobre 2020, Università di Siena, Accademia Musicale Chigiana
The Song of Songs in European Poetry (13th-17th Centuries). Translations, Appropriations, Rewriti... more The Song of Songs in European Poetry (13th-17th Centuries). Translations, Appropriations, Rewritings. September 9th-10th, Padova, Dipartimento di Studi Linguistici e Letterari
Lost Voices. The reconstruction of incomplete polyphonic masterpieces between theory and methodol... more Lost Voices. The reconstruction of incomplete polyphonic masterpieces between theory and methodology. Wednesday 12 - Thursday 13 February 2020, Palazzo Liviano, Sala Consiglio (Padova)