Fabio Coden | Università di Verona (original) (raw)

Books by Fabio Coden

Research paper thumbnail of La basilica di San Zeno

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Research paper thumbnail of San Zeno. Le porte bronzee. The bronze doors

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Research paper thumbnail of San Zeno in Verona

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Research paper thumbnail of Corpus della scultura ad incrostazione di mastice nella penisola italiana (XI-XIII sec.)

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Edited books by Fabio Coden

Research paper thumbnail of L'arredo liturgico fra Oriente e Occidente (V-XV secolo): frammenti, opere e contesti / Liturgical Furnishings between East and West (5th-15th Centuries): Fragments, Objects, and Contexts, a cura di F. Coden (Minima medievalia, 6)

by Fabio Coden, Giulia Arcidiacono, Ivan Basić, Vlad Bedros, Alberto Crosetto, Zaruhi Hakobyan, Wilfried E. Keil, Justin E A Kroesen, Elisabetta Scirocco, Angeliki Mexia, Silvia Muzzin, Luca Palozzi, Antonino Tranchina, Αντιγόνη Τζιτζιμπάση / Antigoni Tzitzibassi, and Maddalena Vaccaro

Cinisello Balsamo, Silvana editoriale, 2021 (Minima medievalia), pp. 1-560. (isbn 9788836649211), 2021

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Research paper thumbnail of Minimia medievalia 1 (2013) - 5 (2018)

Minima medievalia 1 (2013)-5 (2018)

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Research paper thumbnail of Minima medievalia (1, 2013)

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Research paper thumbnail of Minima medievalia (2, 2014)

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Research paper thumbnail of Minima medievalia (3, 2016)

Some specifi c episodes of early medieval sculpture in a peripheral area – reconsidered in relati... more Some specifi c episodes of early medieval sculpture in a peripheral area – reconsidered in relation to the iconography, the history of the discovery, the style of the epigraphy and the technique of execution –, allow the precise recovering of some of those cultural dynamics which took place in the crucial transition from the Lombard kingdom to the Carolingian world. Under this prospective, in the carved slab of Colognola ai Colli, in the territory of Verona, and in the sarcophagus of Cella di Ovaro, in Carnia, it is possible to fi nd evidence of this particular aesthetics stimuli, only partially convergent, like for example in the diff erent way of understanding the reference to the ancient. Another similar strict approach of identifi cation and comprehension of the building practice, but within the Romanesque architectural language, is presented in the examination of two important religious building near Garda lake, Santa Giustina at Palazzolo and San Giorgio in Val Policella: the traces left by the ancient desk over the wall sections has made possible to read some unknown construction phases and also assess a working method previously identifi ed only marginally. Two contributions are dedicated to the Master of Sommacampagna which, with some unpublished evidences dated to the second half of the fourteenth century, expand the already reach catalogue of this much articulated traveling workshop. Th e frescoes of Pinzolo, Pavillo, Cassana and Gorno, with their style rigid at times, show the typical aspects of a gothic language which had great fortune in the peripheral area, a wide geographic zone. Th e opposite dynamic instead, meaning the circulation of works of art of small scale, more specifi cally in the area between North and South of the Alps, is certifi ed by the bronze thirteenth century censer of Santa Maria di Gorto, always wrongly considered work of the Adriatic area.

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Research paper thumbnail of Minima medievalia (4, 2017)

Twelve contributions are included in the fourth edition of Minima medievalia, focused on artistic... more Twelve contributions are included in the fourth edition of Minima medievalia, focused on artistic episodes whose developments are rooted directly in Byzantine lands or in sites deeply infl uenced by their culture. A series of liturgical proto-byzantine structures – main and secondary altars – from Asia Minor are examined in close connection with the liturgical praxis adopted in those regions (Diego Peirano). Th e structural, documentary and critical features of the Baptistery of Santa Severina (Calabria) are analysed on the grounds of the unpublished reports of Paolo Orsi, a pioneer scholar of Southern Italy from Trento (Tancredi Bella). Th e iconography of a fabric fragment kept in Rome receives a new interpretation, thanks to clarifi cations that also help to clarify the chronology (Silvia Pedone). A conspicuous corpus of mostly unpublished or marginally known fragments of liturgical furnishings from Saint Mary in Torcello, is collected and rigorously analysed for the fi rst time, even in relation to the second presbytery fence, still present in the basilica (Diego Valenti). A reconstructive hypothesis is given for an extensively reworked capital from Grassaga, near San Donà di Piave, closely akin to the aforementioned objects as concern chronology and geographical location (Fabio Coden). Two essays concern a group of erroneously assessed or unpublished materials, stored in the deposit of the National Museum of Ravenna and in which the Eastern sources and the progressively predominant Latin style are intertwined (Paola Novara). Th e problematic ceramic basins embedded in the façade of the church of Madonna della Stra' in Belfi ore, near Verona, are carefully explored in order to fi gure out the contacts between the Byzantine and the Islamic world in the Mediterranean and its consequences on the regions of the Peninsula (Marica Menon). Subsequently, thanks to unpublished documents discovered in the archives of the Frick Collection, the four historiated columns belonging to the ciborium of Saint Mark in Venice, are reexamined with a highly critical approach which will reopen the debate about the controversial chronology of these very elaborated sculptures (Maria Aimé Villano). Two essays deal with an enkolpion from Rorai Piccolo (Pordenone) – likely of Russian origin, but with a clear Byzantine style – and concentrate both on the iconographic quality and the interpretation of the complicated ancient Cyrillic epigraphs, in order to defi nitely dispel any doubt on the workshop responsible for the artefact (Fabio Coden and Alberto Alberti). Th e last essay draws attention to the relationship between the equestrian representation of the Byzantine Emperor and that of certain Knight Saints depicted in some icons of the XIII th century, through an in-depth analysis of several details which have escaped even the most meticulous critical studies so far (Andrea Babuin).

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Research paper thumbnail of Minima medievalia (5, 2018)

a cura di F. Coden, in «Atti della Accademia Roveretana degli Agiati. Classe di Scienze umane, Lettere ed Arti», a. CCLXVIII, s. IX, VIII, A, 2018, pp. 29-193. (issn 1122-6064), 2018

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Research paper thumbnail of Il santuario dei Santi Vittore e Corona di Feltre. Studi agiografici, storici e storico-artistici in memoria di mons. Vincenzo Savio

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Papers by Fabio Coden

Research paper thumbnail of San Venanzio a Fabriano fra Medioevo ed Età Moderna: considerazioni critiche e interpretative

in Allegretto Nuzi e il suo monto, atti della giornata di studi (Fabriano, 29 gennaio 2022), a cura di A. De Marchi, M. Mazzalupi, in «Arte Marchigiana», 12, 2024, pp. 199-251 , 2024

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Research paper thumbnail of Nicholaus e i cantieri veronesi: indagini sul rapporto fra architettura e apparati decorativi

La cattedrale di Piacenza e la civiltà medievale, atti del convegno internazionale di studi (Piacenza, 20-24 settembre 2022), a cura di A.C. Quintavalle, 2024

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Research paper thumbnail of Santo Stefano in Arce (Brescia)

La storia del Castello di Brescia dal Medioevo all’Ottocento, a cura di M. Merlo, S. Scalia, 2023

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Research paper thumbnail of I due cibori di San Giorgio di Valpolicella (VIII e XI secolo): genesi, vicende conservative e ipotesi di restituzione

Atti della giornata di studi “A cent'anni dalla ricostruzione del ciborio di San Giorgio di Valpolicella (1923-2023). Nuovi studi sulla pieve” (San Giorgio di Valpolicella, Sala capitolare, 21 ottobre 2023), in Annuario storico della Valpolicella 2021-2023, vol. XXXVII, 2023

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Research paper thumbnail of Scultura altomedievale a Maniago (Pordenone): riflessioni su alcune opere di epoca longobarda

Atti dell’Accademia “San Marco”, 2023

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Research paper thumbnail of Arredi liturgici altomedievali nella diocesi di Verona: i cibori di San Giorgio di Valpolicella

Hortus Artium Medievalium, 2021

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Research paper thumbnail of «In inclita urbe Verona, in sacello Helene gloriose»: la chiesa canonicale di San Giorgio (Sant’Elena), scenario della Questio dantesca

in atti del convegno internazionale ‘La Questio de aqua et terra di Dante Alighieri: testo e contesto’ (Verona, 20-21 gennaio 2020), in «Stefi. Studi di erudizione e di filologia italiana», X, 2021-22, pp. 29-112. (issn 2281-602x), 2022

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Research paper thumbnail of rec. Il patriarcato di Aquileia. Identità, liturgia e arte (secoli V-XV)

in «Archivio Veneto», s. VI, 24, 2022, pp 135-142. (issn 0392-0291), 2022

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Research paper thumbnail of La basilica di San Zeno

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Research paper thumbnail of San Zeno. Le porte bronzee. The bronze doors

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Research paper thumbnail of San Zeno in Verona

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Research paper thumbnail of Corpus della scultura ad incrostazione di mastice nella penisola italiana (XI-XIII sec.)

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Research paper thumbnail of L'arredo liturgico fra Oriente e Occidente (V-XV secolo): frammenti, opere e contesti / Liturgical Furnishings between East and West (5th-15th Centuries): Fragments, Objects, and Contexts, a cura di F. Coden (Minima medievalia, 6)

by Fabio Coden, Giulia Arcidiacono, Ivan Basić, Vlad Bedros, Alberto Crosetto, Zaruhi Hakobyan, Wilfried E. Keil, Justin E A Kroesen, Elisabetta Scirocco, Angeliki Mexia, Silvia Muzzin, Luca Palozzi, Antonino Tranchina, Αντιγόνη Τζιτζιμπάση / Antigoni Tzitzibassi, and Maddalena Vaccaro

Cinisello Balsamo, Silvana editoriale, 2021 (Minima medievalia), pp. 1-560. (isbn 9788836649211), 2021

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Research paper thumbnail of Minimia medievalia 1 (2013) - 5 (2018)

Minima medievalia 1 (2013)-5 (2018)

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Research paper thumbnail of Minima medievalia (1, 2013)

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Research paper thumbnail of Minima medievalia (2, 2014)

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Research paper thumbnail of Minima medievalia (3, 2016)

Some specifi c episodes of early medieval sculpture in a peripheral area – reconsidered in relati... more Some specifi c episodes of early medieval sculpture in a peripheral area – reconsidered in relation to the iconography, the history of the discovery, the style of the epigraphy and the technique of execution –, allow the precise recovering of some of those cultural dynamics which took place in the crucial transition from the Lombard kingdom to the Carolingian world. Under this prospective, in the carved slab of Colognola ai Colli, in the territory of Verona, and in the sarcophagus of Cella di Ovaro, in Carnia, it is possible to fi nd evidence of this particular aesthetics stimuli, only partially convergent, like for example in the diff erent way of understanding the reference to the ancient. Another similar strict approach of identifi cation and comprehension of the building practice, but within the Romanesque architectural language, is presented in the examination of two important religious building near Garda lake, Santa Giustina at Palazzolo and San Giorgio in Val Policella: the traces left by the ancient desk over the wall sections has made possible to read some unknown construction phases and also assess a working method previously identifi ed only marginally. Two contributions are dedicated to the Master of Sommacampagna which, with some unpublished evidences dated to the second half of the fourteenth century, expand the already reach catalogue of this much articulated traveling workshop. Th e frescoes of Pinzolo, Pavillo, Cassana and Gorno, with their style rigid at times, show the typical aspects of a gothic language which had great fortune in the peripheral area, a wide geographic zone. Th e opposite dynamic instead, meaning the circulation of works of art of small scale, more specifi cally in the area between North and South of the Alps, is certifi ed by the bronze thirteenth century censer of Santa Maria di Gorto, always wrongly considered work of the Adriatic area.

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Research paper thumbnail of Minima medievalia (4, 2017)

Twelve contributions are included in the fourth edition of Minima medievalia, focused on artistic... more Twelve contributions are included in the fourth edition of Minima medievalia, focused on artistic episodes whose developments are rooted directly in Byzantine lands or in sites deeply infl uenced by their culture. A series of liturgical proto-byzantine structures – main and secondary altars – from Asia Minor are examined in close connection with the liturgical praxis adopted in those regions (Diego Peirano). Th e structural, documentary and critical features of the Baptistery of Santa Severina (Calabria) are analysed on the grounds of the unpublished reports of Paolo Orsi, a pioneer scholar of Southern Italy from Trento (Tancredi Bella). Th e iconography of a fabric fragment kept in Rome receives a new interpretation, thanks to clarifi cations that also help to clarify the chronology (Silvia Pedone). A conspicuous corpus of mostly unpublished or marginally known fragments of liturgical furnishings from Saint Mary in Torcello, is collected and rigorously analysed for the fi rst time, even in relation to the second presbytery fence, still present in the basilica (Diego Valenti). A reconstructive hypothesis is given for an extensively reworked capital from Grassaga, near San Donà di Piave, closely akin to the aforementioned objects as concern chronology and geographical location (Fabio Coden). Two essays concern a group of erroneously assessed or unpublished materials, stored in the deposit of the National Museum of Ravenna and in which the Eastern sources and the progressively predominant Latin style are intertwined (Paola Novara). Th e problematic ceramic basins embedded in the façade of the church of Madonna della Stra' in Belfi ore, near Verona, are carefully explored in order to fi gure out the contacts between the Byzantine and the Islamic world in the Mediterranean and its consequences on the regions of the Peninsula (Marica Menon). Subsequently, thanks to unpublished documents discovered in the archives of the Frick Collection, the four historiated columns belonging to the ciborium of Saint Mark in Venice, are reexamined with a highly critical approach which will reopen the debate about the controversial chronology of these very elaborated sculptures (Maria Aimé Villano). Two essays deal with an enkolpion from Rorai Piccolo (Pordenone) – likely of Russian origin, but with a clear Byzantine style – and concentrate both on the iconographic quality and the interpretation of the complicated ancient Cyrillic epigraphs, in order to defi nitely dispel any doubt on the workshop responsible for the artefact (Fabio Coden and Alberto Alberti). Th e last essay draws attention to the relationship between the equestrian representation of the Byzantine Emperor and that of certain Knight Saints depicted in some icons of the XIII th century, through an in-depth analysis of several details which have escaped even the most meticulous critical studies so far (Andrea Babuin).

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Research paper thumbnail of Minima medievalia (5, 2018)

a cura di F. Coden, in «Atti della Accademia Roveretana degli Agiati. Classe di Scienze umane, Lettere ed Arti», a. CCLXVIII, s. IX, VIII, A, 2018, pp. 29-193. (issn 1122-6064), 2018

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Research paper thumbnail of Il santuario dei Santi Vittore e Corona di Feltre. Studi agiografici, storici e storico-artistici in memoria di mons. Vincenzo Savio

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Research paper thumbnail of San Venanzio a Fabriano fra Medioevo ed Età Moderna: considerazioni critiche e interpretative

in Allegretto Nuzi e il suo monto, atti della giornata di studi (Fabriano, 29 gennaio 2022), a cura di A. De Marchi, M. Mazzalupi, in «Arte Marchigiana», 12, 2024, pp. 199-251 , 2024

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Research paper thumbnail of Nicholaus e i cantieri veronesi: indagini sul rapporto fra architettura e apparati decorativi

La cattedrale di Piacenza e la civiltà medievale, atti del convegno internazionale di studi (Piacenza, 20-24 settembre 2022), a cura di A.C. Quintavalle, 2024

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Research paper thumbnail of Santo Stefano in Arce (Brescia)

La storia del Castello di Brescia dal Medioevo all’Ottocento, a cura di M. Merlo, S. Scalia, 2023

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Research paper thumbnail of I due cibori di San Giorgio di Valpolicella (VIII e XI secolo): genesi, vicende conservative e ipotesi di restituzione

Atti della giornata di studi “A cent'anni dalla ricostruzione del ciborio di San Giorgio di Valpolicella (1923-2023). Nuovi studi sulla pieve” (San Giorgio di Valpolicella, Sala capitolare, 21 ottobre 2023), in Annuario storico della Valpolicella 2021-2023, vol. XXXVII, 2023

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Research paper thumbnail of Scultura altomedievale a Maniago (Pordenone): riflessioni su alcune opere di epoca longobarda

Atti dell’Accademia “San Marco”, 2023

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Research paper thumbnail of Arredi liturgici altomedievali nella diocesi di Verona: i cibori di San Giorgio di Valpolicella

Hortus Artium Medievalium, 2021

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Research paper thumbnail of «In inclita urbe Verona, in sacello Helene gloriose»: la chiesa canonicale di San Giorgio (Sant’Elena), scenario della Questio dantesca

in atti del convegno internazionale ‘La Questio de aqua et terra di Dante Alighieri: testo e contesto’ (Verona, 20-21 gennaio 2020), in «Stefi. Studi di erudizione e di filologia italiana», X, 2021-22, pp. 29-112. (issn 2281-602x), 2022

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Research paper thumbnail of rec. Il patriarcato di Aquileia. Identità, liturgia e arte (secoli V-XV)

in «Archivio Veneto», s. VI, 24, 2022, pp 135-142. (issn 0392-0291), 2022

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Research paper thumbnail of rec. Le transept et ses espaces élevés dans l’Église du Moyen Âge (XIe-XVIe siècles). Pour une nouvelle approche fonctionnelle

in «Studi medievali», s. III, LXIII, II, 2022, pp. 911-919. (issn 0391-8467 E161761; isbn 978-88-6809-357-0), 2022

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Research paper thumbnail of Il sacello di San Benedetto presso il chiostro del monastero di San Zeno a Verona: percorsi di lettura del monumento medievale

in Il sacello di San Benedetto nella basilica an Zeno, a cura di Giancarlo Volpato, Vago di Lavagno (Verona), Tipografia La Grafica editrice, 2022 (Annuario Storico Zenoniano, XXVI), pp. 125-200. (isbn 9788869472787), 2022

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Research paper thumbnail of Arredi liturgici altomedievali a Palazzolo (Verona): considerazioni, aggiunte e proposte restitutive

L'arredo liturgico fra Oriente e Occidente (V-XV secolo): frammenti, opere e contesti / Liturgical Furnishings between East and West (5th-15th Centuries): Fragments, Objects, and Contexts, 2021

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Research paper thumbnail of Prefazione

L'arredo liturgico fra Oriente e Occidente (V-XV secolo): frammenti, opere e contesti / Liturgical Furnishings between East and West (5th-15th Centuries): Fragments, Objects, and Contexts, 2021

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Research paper thumbnail of Medioevo architettonico a San Pancrazio

in Il lazzaretto di Verona. Storia di un monumento cittadino, a cura di P. Basso, D. Bruno, G.M. Varanini M. Annibaletto, Milano, Skira, 2021 (Le monografie del FAI), pp. 81-93. (isbn 885724468; ean 9788857244686), 2021

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Research paper thumbnail of Percorsi nascosti e vie rituali nell’architettura religiosa del medioevo veronese (secoli X-XII)

in Studi di storia, arte e archeologia veronese in onore di Bruno Chiappa, a cura di G.M. Varanini, Sommacampagna, Cierre, 2021

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Research paper thumbnail of Sant'Elena

Dante a Verona 1321-2021, catalogo della mostra, Silvana editoriale, 2021

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Research paper thumbnail of Osservazioni sulla cattedrale medievale di Verona: il protiro di Nicholaus, i percorsi nascosti e la perduta loggia di controfacciata

in Domus sapienter staurata. Scritti di storia dell’arte per Marina Righetti, a cura di A.M. D’Achille, A. Iacobini, P.F. Pistilli, 2021

Sul fronte principale di Santa Maria Matricolare a Verona fu previsto, nella fase di XII secolo, ... more Sul fronte principale di Santa Maria Matricolare a Verona fu previsto, nella fase di XII secolo, un imponente protiro a due piani che, ancora pressoché integro in ogni sua parte, attira da molto tempo l'attenzione degli studi' (ill. 1). L'interesse della critica si è concentrato su vari aspetti di questa struttura, fra i quali è oppor-tuno ricordare almeno la lunga ed altisonante epigrafe ("+ ARTIFICEM GNARUM QUI SCULPSERIT HEC NICOLAUM-HUNC CONCURRENTES LAU-DANT PER SECULA GENTES '''-'"),2 che permette di collegare quest'opera e il suo artefice a vari cantieri della Pianura Padana.3 Solo raramente, però, la loggia monumentale veronese è stata oggetto di approfondi-menti specifici in relazione ai rapporti con il corpo architettonico da cui aggetta e che contribuisce a nobilitare con le proprie slanciate ed eleganti forme.{ Pertanto, attraverso pochi indizi di carattere archeolo-gico e documentario, si tenterà in questa sede di esplorare i complessi, e in parte ancora celati, nessi funzionali fra l'interno e l'esterno del 1. Verona, cattedrale, tacciata (foto Fabio Coden) 337

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Research paper thumbnail of La liturgia stazionale nella Verona medievale e il ruolo dei canonici della cattedrale

in La cattedrale nella città medievale: i rituali, atti del convegno internazionale di studi (Napoli, 28-30 gennaio 2019), a cura di V. Lucherini, G. Boto Varela, Roma, Viella, 2020, pp. 75-113. (isbn 978-88-3313-126-9)

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Research paper thumbnail of Intervista a Xavier Barral i Altet a cura di Fabio Coden

in «Reti medievali», 21, 1, 2020, pp. 411-469., 2020

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Research paper thumbnail of Recenti scoperte a San Zeno: note sull’edificio scomparso annesso al fianco dell’abbaziale

in Inedita mediaevalia. Scritti in onore di Fracesco Aceto, a cura di F. Caglioti, V. Lucherini, Roma, Viella, 2019 (Quaderni napoletani di storia dell’arte medievale, 3), pp. 113-122. (isbn 9788833133010), 2019

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Research paper thumbnail of Santa Maria della Vittoria Vecchia (San Giorgio), committenza di Cangrande II nella Verona del XIV secolo

in San Francesco di Paola a Verona. Storia e contesto di un convento diventato sede universitaria, a cura di D. Brunelli, T. Franco, Sommacampagna, Cierre edizioni e Università degli studi di Verona, 2019, pp. 135-146. (isbn 9788883149955), 2019

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Research paper thumbnail of ONLINE INTERNATIONAL CONFERENCE On Byzantine, Western and Post- Byzantine Towers (10th-16th centuries) Friday 18 - Sunday 20 November 2022- Organizing Committee: P. Androudis – Katerina Manousou-Ntella – P. Theocharidis

by Paschalis Androudis, Katerina A Manoussou-Ntella, Dimitris Liakos, Alkiviadis Ginalis, Lilyana Yordanova, Evangelos A Papathanassiou, Sotiris Voyadjis, Nebojša Stanković, Elli Tzavella, Jenny Albani, Demetris Athanasoulis, Stavros Arvanitopoulos, cécile khalifa, Stephane Pradines, Mathias Piana, Fabio Coden, Jasmina S. Ciric, Sonia Gkounta, Mustafa Çağhan Keskin, Vincent Ory, Androniki Batzikosta, Georgia Graikou, Paolo Maranzana, Kerim Altug, Petra Lučeničová, Erdal Eser, Ivana Mihaljinec, Michael K Miaoulis, filippos stathoulopoulos, Oleg G . Ulyanov (Олег Германович Ульянов), and Eleni Faka

The Online International Conference devoted to the Towers in Byzantine and Post Byzantine period ... more The Online International Conference devoted to the Towers in Byzantine and Post Byzantine period (10th-16th centuries), to be held virtually via Zoom from 18 to 20 November 2022, seeks to illuminate aspects of their construction, decoration, function and evolution in time. Our Conference does not aim at exhausting the subject, but will offer an interdisciplinary forum for a selection of talks that touch upon some of the following aspects:
- Single (free)- standing towers
- Monastic Towers
- Towers in maritime forts, harbors and arsenals
- Towers in Palaces
- Donjons
- Towers with gates
- Byzantine Towers in Asia Minor (Anatolia)
- Towers of the Frankish, Venetian and Genoese rulers
- Towers of the Order of St. John
- Genoese Towers in Turkey
- Seljuk Towers
- Ottoman Towers
- Post-Byzantine Towers
- Towers with canons
- Tower Houses of the Byzantine, Frankish, Venetian and
early Ottoman Period
- Inscriptions on Towers
- Heraldry in Towers
- Buttressed Towers

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