Recensione al libro di Alessandra Coppola. Una faccia una razza? Grecia antica e moderna nell’immaginario italiano di età fascista. Roma: Carocci, 2013. 168 pp (original) (raw)

“La canzone dell’amore:” Adapting Pirandello to Fascist Propaganda

Paolo Campolonghi

PSA 27 - The Journal of the Pirandello Society of America, 2015

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Patricia Gaborik. Mussolini’s Theatre: Fascist Experiments in Art and Politics

Andrea Sartori

Annali d’Italianistica, 40, 519-522, 2022

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Enrica Maria Ferrara (ed.), Posthumanism in Italian Literature and Film: Boundaries and Identity.

Samuel James Zawacki

Forum Italicum, 2022

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"Italian Fascism and Culture: Some Notes on Investigation", in: Historia Actual Online 9, 2006, p. 141-151

Jan Nelis

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Attore per caso, antifascista per scelta. Memorie caotiche di Enrique Irazoqui / Accidental Actor, Antifascist by Choice. Enrique Irazoqui's Chaotic Recollections gathered by Valerio Carando, in Lucca Film Festival 2014. Catalogo, Edizioni La Grafica Pisana, Pisa, 2014, pp. 163-170

Valerio Carando

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Arnaldo Mussolini as a "faithful servant of the Revolution". An analysis of Vita di Arnaldo by Benito Mussolini. (ASMI Summer School, 22-23 June 2015, University of Reading)

Andrea Masseroni

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Illustrazione e giornalismo come critica d’arte. Scipione e Mafai, «L’Italia Letteraria» e il racconto dell’arte europea nell’Italia fascista degli anni Trenta. Canadian Association for Italian Studies 2019 International Conference Program Orvieto (TR) Italy, June 13-16

Michela Morelli

2019

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Le illustrazioni di Pinocchio nel periodo fascista: storia della propaganda implicita

barbara bocchi

MeTis - Mondi educativi. Temi indagini suggestioni, 2021

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Editorial, The Italianist Film 38.2 (2018): 151-155.

Dana Renga, Charles Leavitt

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Fascism in Italian Culture: 1945-2023 / Il fascismo nella cultural italiana: 1945-2023

Giacomo Lichtner, Guido Bartolini, Giuliana Pieri, Charles Burdett

Annali d'Italianistica 41 2023

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Photomontage in the Fascist Magazine La Difesa della razza. Visual Sources, Manipulations, Controversies, in "Cromohs", n. 25, 2022, pp. 43-67

Vanessa Righettoni

"Cromohs. Cyber Review of Modern Historiography" (Firenze University Press), 2022

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Review of Lombardi, Giancarlo, and Christian Uva, eds. Italian Political Cinema. Public Life, Imaginary, and Identity in Contemporary Italian Film. Bern: Peter Lang, 2016. In: G/S/I 4 (2017)

Alberto Luca Zuliani

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Fascism and Italian Cinema

David Forgacs

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TESTA C Italian political cinema: Surveying ...

Carlo Testa / Forschung

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Editorial, The Italianist Film 36.2 (2016): 155-157.

Dana Renga, Charles Leavitt

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Review of eds. Claudia Boscolo & Stefano Jossa, Scritture di Resistenza. Sguardi politici dalla narrativa italiana contemporanea

David Ward

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«Annali d'Italianistica», vol. 41, 2013: Fascism in Italian Culture: 1945-2023

Valerio Cappozzo

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Italian Cinema in the Twenty- First Century: Representing the Precarious Subject

Malvina Giordana

Italian Industrial Literature and Film, Edited by C. Baghetti, J. Carter and L. Marmo, Peter Lang, Oxford-New York, 2021

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‘La polvere dei sogni’, Editorial, Italianist Film 35.2 (2015): 171-5.

Dana Renga, Charles Leavitt

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"Le opere per lo spazio pubblico" in ROSANNA ROSSI Percorsininterrotti

Rita Pamela Ladogana

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Elisa Uffreduzzi, La Danza Nel Cinema Muto Italiano

Ivo Blom

Nineteenth Century Theatre and Film, 2018

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Friend or Foe? Representations of WWI in Italian Fascist Cinema

Francesco Bono

European Journal of Interdisciplinary Studies, 2020

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Echoes Of Pier Paolo Pasolini In Contemporary Italian Cinema: The Cases Of Marco Tullio Giordana And Aurelio Grimaldi

anna paparcone

2009

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Marco Andreani, Italy Advances. Photographic documents, documentaries and techniques of manipulation in Fascist propaganda, in "Photography as Power: Dominance and Resistance through Italian Lens." Eds Marco Andreani and Nicoletta Pazzaglia (Cambridge Scholars Publishing, 2019), pp.133-173

Marco Andreani

2019

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Simone FORESTA, L’Augusto di Prima Porta: un’immagine antica per il mondo contemporaneo.

Simone Foresta

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Lo Stato dell’arte. Fascismo e legittimazione culturale’, Scienza & Politica, 48 (2013), 135-148

David Rifkind, Monica Cioli

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“Tra donne sole”. Cinema, Cultural Consumption and the Female Condition in Post-war Italy

Fanchi Mariagrazia

Film-Cinema-Spectator: Film Reception, 2010

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• Review of Louis Bayman, The Operatic and the Everyday in Post-War Italian Film Melodrama, in Journal of Italian Film and Media Studies, 4:3 (2016), 483-85

Catherine O'Rawe

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Call for Papers, «Bianco e Nero» 3/2017, Latin Lovers in Contemporary Italian Cinema, edited by Enrico Biasin and Catherine O’Rawe - ENGLISH VERSION

Enrico Biasin

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“Francesca Comencini: Women Outside the Polis” Italian Political Cinema. Public Life, Imagery and Identity in Contemporary Italian Cinema. New York: Peter Lang, forthcoming June 2016.

Laura Di Bianco

Italian Political Cinema

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Ruth Ben-Ghiat's "Italian Fascism's Empire Cinema"

George Steinmetz

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Book Review: Italy Through the Red Lens: Italian Politics and Society in Communist Propaganda Films (1948-1979)

Jim Carter

Journal of Italian Cinema and Media Studies, 2023

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1918-68: Italian Art, Life and Politics in the Shadow of Fascism, frieze, April 2018

Ara H. Merjian

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“At the Margins of Rome, at the Margins of the World. The Hawks and the Sparrows and Sacro GRA as Peripatetic Analyses of Capitalist Society” in the Journal of Italian Cinema and Media Studies, 7:1. January 2019 pp. 35-53

Eleonora Sartoni

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The ex Casa del Fascio in Predappio and the question of the “difficult heritage” of Fascism in contemporary Italy

Simona Storchi

Modern Italy, 2019

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