Major third (original) (raw)
La tercera és l'interval entre dues notes de l'escala separades per dos graus. Les terceres poden ser majors quan hi ha quatre semitons (o dos tons) entre els dos graus, i menors quan hi ha tres semitons (o un to i mig). A nivell harmònic, les terceres són intervals considerats consonants. En les escales pròpies de la música tonal, l'interval entre el I i el III grau (la tònica i la mediant o modal) és una tercera major en el mode major i una tercera menor en el mode menor. * Tercera major entre les notes do i mi * Tercera menor entre les notes do i mi♭
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| dbo:abstract | La tercera és l'interval entre dues notes de l'escala separades per dos graus. Les terceres poden ser majors quan hi ha quatre semitons (o dos tons) entre els dos graus, i menors quan hi ha tres semitons (o un to i mig). A nivell harmònic, les terceres són intervals considerats consonants. En les escales pròpies de la música tonal, l'interval entre el I i el III grau (la tònica i la mediant o modal) és una tercera major en el mode major i una tercera menor en el mode menor. * Tercera major entre les notes do i mi * Tercera menor entre les notes do i mi♭ (ca) Tercie (z lat. tertius – třetí) je hudební interval mezi prvním a třetím tónem diatonické stupnice, v rovnoměrně temperovaném ladění obsahuje buď tři půltóny (malá tercie) nebo čtyři půltóny (velká tercie). Obě tercie se od konce středověku považují za konsonantní intervaly. (cs) Terz (von lateinisch tertia: „die Dritte“) bezeichnet in der Musikdas Intervall, das drei Stufen einer diatonischen Tonleiter umspannt. Beispiel:Tonleiterabschnitt von c'' nach e'' - Große Terz c'' e'' hintereinander - Große Terz c'' e'' gleichzeitig, dann mit kleiner Terz c'' es''. Die Audiowiedergabe wird in deinem Browser nicht unterstützt. Du kannst . Im engeren Sinne versteht man unter der Terz auch die dritte Stufe der jeweiligen Tonleiter. Die genauere Bezeichnung dafür ist Terzton. Als Intervall umfasst eine kleine Terz insgesamt drei, eine große Terz vier Halbtonschritte (verminderte und übermäßige Terz siehe unten). Die Terz ist das Komplementärintervall zur Sexte. (de) Trito (aŭ tercio de la latina vorto tertius = la tria) estas intervalo de iu noto al la tria de diatona gamo. (eo) Se denomina tercera al intervalo de tres grados entre dos notas de la escala musical. Existen diferentes tipos de terceras: * disminuidas: se producen cuando hay un tono de distancia entre las dos notas. * Las terceras disminuidas tienen la misma longitud tonal que las segundas mayores. * menores: se producen cuando hay un tono y un semitono de distancia entre las dos notas. * Las terceras menores tienen la misma longitud tonal que las segundas aumentadas. * Mayores: se producen cuando hay dos tonos de distancia entre las dos notas. * Las terceras mayores tienen la misma longitud tonal que las cuartas disminuidas. * Aumentadas: se producen cuando hay dos tonos y un semitono de distancia entre las dos notas. * Las terceras aumentadas tienen la misma longitud tonal que las cuartas justas. La tercera menor corresponde a la relación de frecuencias 6:5, mientras que la tercera mayor corresponde a la relación 5:4. * Tercera mayor entre do y mi * Tercera menor entre do y mi♭ Si un intervalo de tercera es invertido se convierte en una sexta. (es) Hiruduna elkarrengandik bi graduz banandutako bi noten arteko tarteari deritzo musikan. Hirudunak nagusiak izan daitezke, bi graduen artean lau baldin badaude, edo txikiak hiru tonoerdi baldin badaude. Hirudun nagusiak zein txikiak ohi tarte kontsonanteak dira. Musika eskalan modu nagusian, tonikoa den I. gradua eta bitartekaria den III. graduaren arteko tartea hirudun nagusi batekoa da, modu txikiko eskalan, berriz, hirudun txiki batekoa. (eu) En musique, une tierce majeure est un intervalle de quatre demi-tons. Elle est très utilisée dans la musique occidentale, et forme la base de la gamme majeure. Dans un tempérament égal à douze demi-tons (gamme tempérée), elle est l'équivalent enharmonique de la quarte diminuée. (fr) In classical music, a third is a musical interval encompassing three staff positions (see Interval number for more details), and the major third is a third spanning four semitones. Along with the minor third, the major third is one of two commonly occurring thirds. It is qualified as major because it is the larger of the two: the major third spans four semitones, the minor third three. For example, the interval from C to E is a major third, as the note E lies four semitones above C, and there are three staff positions from C to E. Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The intervals from the tonic (keynote) in an upward direction to the second, to the third, to the sixth, and to the seventh scale degrees of a major scale are called major. The major third may be derived from the harmonic series as the interval between the fourth and fifth harmonics. The major scale is so named because of the presence of this interval between its tonic and mediant (1st and 3rd) scale degrees. The major chord also takes its name from the presence of this interval built on the chord's root (provided that the interval of a perfect fifth from the root is also present or implied). A major third is slightly different in different musical tunings: in just intonation it corresponds to a pitch ratio of 5:4 (fifth harmonic in relation to the fourth) or 386.31 cents; in equal temperament, a major third is equal to four semitones, a ratio of 21/3:1 (about 1.2599) or 400 cents, 13.69 cents wider than the 5:4 ratio. The older concept of a ditone (two 9:8 major seconds) made a dissonantly wide major third with the ratio 81:64 (about 1.2656) or 408 cents. The septimal major third is 9:7 (435 cents), the undecimal major third is 14:11 (418 cents), and the tridecimal major third is 13:10 (452 cents). In equal temperament three major thirds in a row are equal to an octave (for example, A♭ to C, C to E, and E to G♯; G♯ and A♭ represent the same note). This is sometimes called the "circle of thirds". In just intonation, however, three 5:4 major third, the 125th subharmonic, is less than an octave. For example, three 5:4 major thirds from C is B♯ (C to E to G♯ to B♯) (B♯ ). The difference between this just-tuned B♯ and C, like that between G♯ and A♭, is called the "enharmonic diesis", about 41 cents (the inversion of the 125/64 interval: )). The major third is classed as an imperfect consonance and is considered one of the most consonant intervals after the unison, octave, perfect fifth, and perfect fourth. In the common practice period, thirds were considered interesting and dynamic consonances along with their inverses the sixths, but in medieval times they were considered dissonances unusable in a stable final sonority. A diminished fourth is enharmonically equivalent to a major third (that is, it spans the same number of semitones). For example, B–D♯ is a major third; but if the same pitches are spelled B and E♭, the interval is instead a diminished fourth. B–E♭ occurs in the C harmonic minor scale. The major third is used in guitar tunings. For the standard tuning, only the interval between the 3rd and 2nd strings (G to B, respectively) is a major third; each of the intervals between the other pairs of consecutive strings is a perfect fourth. In an alternative tuning, the major-thirds tuning, each of the intervals are major thirds. (en) En musique, une tierce est un intervalle entre deux notes séparées par trois degrés. La tierce peut être majeure, mineure, diminuée ou augmentée. Elle est à consonance douce. Son renversement donne la sixte. La tierce majeure est égale à 2 tons, par exemple : Fa à La, et la tierce mineure égale à un ton et demi. (fr) 長三度（ちょうさんど）は全音階で現れる2種類の三度の音程のうちのより広い方である。構成としては楽譜における下の方から長二度と長二度の音程からなる（例: ドとレ、レとミからなるドとミの音程）。「長」の字は2つの三度音程（長三度と短三度）のうちのより広いほうであることを示し、もう一つは短三度と呼ばれる。長三度は4半音の音程であるのに対して短三度は3半音の音程であり、長三度のほうが1半音音程が広い。長三度はM3と略記され、そのは短六度である。 (ja) L'intervallo di terza maggiore è l'intervallo esistente tra due note distanti fra loro 4 semitoni, cioè 2 toni. La terza maggiore di Do, ad esempio, è Mi e la terza maggiore di Re è Fa#. Due note distanti fra loro una terza maggiore, se suonate in un bicordo armonico, cioè contemporaneamente, danno una consonanza imperfetta. (it) Een terts (van Latijn: tertius, de derde) is in de muziektheorie het interval in een diatonische toonladder tussen een eerste toon en de daarboven liggende derde. Een terts omvat twee toonafstanden. Het interval tussen bijvoorbeeld de tonen c en e is dus een terts. Men zegt dat de e een terts boven de c ligt. Daarnaast wordt ook de toon die in een diatonische toonladder op de derde toontrap ligt, de terts genoemd. Zo is de e de terts in de toonladder van c. Ook wordt de tweeklank die bestaat uit twee tonen die een terts uit elkaar liggen, als terts aangeduid. De tweeklank c-e is een terts, of de tonen c en e vormen een terts. Samen met hun omkeringen, de sexten, zijn de tertsen de meest voorkomende intervallen in de klassieke muziek, tezamen vormen zij de ruggengraat van functionele harmonie. Vanwege het historisch steeds veelvuldiger voorkomen van tertsen en sexten na circa 1350 is de stemming van de intervallen in de geschiedenis meermaals aangepast, om al deze harmonieën welluidender te maken. (nl) Tercja – interwał prosty między dźwiękami obejmujący zakres trzech stopni skali muzycznej (pozycji na pięciolinii: dwie linie i odstęp lub jedną linię i dwa odstępy) o wielkości 3 lub 4 półtonów. W szeregu zasadniczym naturalnie występują tercja wielka (interwał 4 półtonów) i tercja mała (interwał 3 półtonów). Zastosowanie znaków chromatycznych pozwala zmienić jej rozmiar. (pl) Terça maior é o terceiro grau da escala maior ou escala diatônica. Exemplo: na escala de sol maior temos sol (tônica), lá (segunda maior), si (terça maior), dó, ré (quinta justa), mi e fá sustenido. Então, o si é a terça maior de sol. Agora se você voltar em um semitom a terça, ou seja, em sol seria si bemol, aí você tem a terça menor, e assim se dá com qualquer nota, por exemplo em dó maior (dó-ré-mi-fá-sol-lá-si), a terça maior é o mi e a terça menor é o mi bemol e assim sucessivamente em qualquer escala. (pt) Ters är ett musikaliskt intervall på två diatoniska steg, samt beteckning för den tredje tonen i en diatonisk skala. Ordet kommer av latinets tertius, ’tredje’. Tersen finns liksom sexten i två varianter: stor och liten. Liten ters definierar molltonalitet, medan stor definierar dur. Dessutom finns flera möjligheter till intonation av tersen beroende på sammanhanget. Picardisk ters är en benämning på när slutackordet i ett stycke i moll innehåller en durters. (sv) Те́рция (лат. tertia «третья») — музыкальный интервал шириной в три ступени; обозначается цифрой 3. (ru) Те́рція (від лат. tertia — «третя») — музичний інтервал в три ступені, також третя нота в гамі. (uk) 在西方文化的古典音樂中，一個三度是一個包含三個五線譜位置的音程，而大三度是兩個常見的三度(大三度和小三度)的其中一個。它是大三度因為它是兩個之中最大的：大三度跨越四個半音，小三度跨越三個。例如，從C到E的音程是一個大三度，因為E在C的四個半度以上(C->C#->D->D#->E)，而且E在五線譜的位置距離C三個位置(C->D->E)。雖然和包含相同數目的五線譜位置，但是它們包含的半音數目不同(2和5)。 大三度能在泛音列中的第四個(C)和第五個(E)的音程裏找到。大三度的得名是因為它是大調裏的三度(C->D->E->F->G->A->B->C)。 (zh) |
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| dbp:abbreviation | M3 (en) |
| dbp:centsEqualTemperament | 400 (xsd:integer) |
| dbp:centsJustIntonation | 386408435 (xsd:integer) |
| dbp:complement | dbr:Minor_sixth |
| dbp:description | Strings playing the note C then A (en) Strings playing the note C then Ab (en) Strings playing the note C then E (en) Strings playing the note C then Eb (en) The file plays middle C, followed by E , followed by both tones together. (en) |
| dbp:filename | Gr terz ab.ogg (en) Gr terz auf.ogg (en) Kl terz ab.ogg (en) Kl terz auf.ogg (en) Third_ET.ogg (en) |
| dbp:intervalClass | 4 (xsd:integer) |
| dbp:inverse | dbr:Minor_sixth |
| dbp:justInterval | 5 (xsd:integer) |
| dbp:mainIntervalName | Major third (en) |
| dbp:otherNames | – (en) |
| dbp:semitones | 4 (xsd:integer) |
| dbp:title | C-A (en) Major third (en) C-Ab (en) C-E (en) C-Eb (en) |
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| dct:subject | dbc:Major_intervals dbc:Thirds_(music) |
| gold:hypernym | dbr:Interval |
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| rdfs:comment | La tercera és l'interval entre dues notes de l'escala separades per dos graus. Les terceres poden ser majors quan hi ha quatre semitons (o dos tons) entre els dos graus, i menors quan hi ha tres semitons (o un to i mig). A nivell harmònic, les terceres són intervals considerats consonants. En les escales pròpies de la música tonal, l'interval entre el I i el III grau (la tònica i la mediant o modal) és una tercera major en el mode major i una tercera menor en el mode menor. * Tercera major entre les notes do i mi * Tercera menor entre les notes do i mi♭ (ca) Tercie (z lat. tertius – třetí) je hudební interval mezi prvním a třetím tónem diatonické stupnice, v rovnoměrně temperovaném ladění obsahuje buď tři půltóny (malá tercie) nebo čtyři půltóny (velká tercie). Obě tercie se od konce středověku považují za konsonantní intervaly. (cs) Trito (aŭ tercio de la latina vorto tertius = la tria) estas intervalo de iu noto al la tria de diatona gamo. (eo) Hiruduna elkarrengandik bi graduz banandutako bi noten arteko tarteari deritzo musikan. Hirudunak nagusiak izan daitezke, bi graduen artean lau baldin badaude, edo txikiak hiru tonoerdi baldin badaude. Hirudun nagusiak zein txikiak ohi tarte kontsonanteak dira. Musika eskalan modu nagusian, tonikoa den I. gradua eta bitartekaria den III. graduaren arteko tartea hirudun nagusi batekoa da, modu txikiko eskalan, berriz, hirudun txiki batekoa. (eu) En musique, une tierce majeure est un intervalle de quatre demi-tons. Elle est très utilisée dans la musique occidentale, et forme la base de la gamme majeure. Dans un tempérament égal à douze demi-tons (gamme tempérée), elle est l'équivalent enharmonique de la quarte diminuée. (fr) En musique, une tierce est un intervalle entre deux notes séparées par trois degrés. La tierce peut être majeure, mineure, diminuée ou augmentée. Elle est à consonance douce. Son renversement donne la sixte. La tierce majeure est égale à 2 tons, par exemple : Fa à La, et la tierce mineure égale à un ton et demi. (fr) 長三度（ちょうさんど）は全音階で現れる2種類の三度の音程のうちのより広い方である。構成としては楽譜における下の方から長二度と長二度の音程からなる（例: ドとレ、レとミからなるドとミの音程）。「長」の字は2つの三度音程（長三度と短三度）のうちのより広いほうであることを示し、もう一つは短三度と呼ばれる。長三度は4半音の音程であるのに対して短三度は3半音の音程であり、長三度のほうが1半音音程が広い。長三度はM3と略記され、そのは短六度である。 (ja) L'intervallo di terza maggiore è l'intervallo esistente tra due note distanti fra loro 4 semitoni, cioè 2 toni. La terza maggiore di Do, ad esempio, è Mi e la terza maggiore di Re è Fa#. Due note distanti fra loro una terza maggiore, se suonate in un bicordo armonico, cioè contemporaneamente, danno una consonanza imperfetta. (it) Tercja – interwał prosty między dźwiękami obejmujący zakres trzech stopni skali muzycznej (pozycji na pięciolinii: dwie linie i odstęp lub jedną linię i dwa odstępy) o wielkości 3 lub 4 półtonów. W szeregu zasadniczym naturalnie występują tercja wielka (interwał 4 półtonów) i tercja mała (interwał 3 półtonów). Zastosowanie znaków chromatycznych pozwala zmienić jej rozmiar. (pl) Terça maior é o terceiro grau da escala maior ou escala diatônica. Exemplo: na escala de sol maior temos sol (tônica), lá (segunda maior), si (terça maior), dó, ré (quinta justa), mi e fá sustenido. Então, o si é a terça maior de sol. Agora se você voltar em um semitom a terça, ou seja, em sol seria si bemol, aí você tem a terça menor, e assim se dá com qualquer nota, por exemplo em dó maior (dó-ré-mi-fá-sol-lá-si), a terça maior é o mi e a terça menor é o mi bemol e assim sucessivamente em qualquer escala. (pt) Ters är ett musikaliskt intervall på två diatoniska steg, samt beteckning för den tredje tonen i en diatonisk skala. Ordet kommer av latinets tertius, ’tredje’. Tersen finns liksom sexten i två varianter: stor och liten. Liten ters definierar molltonalitet, medan stor definierar dur. Dessutom finns flera möjligheter till intonation av tersen beroende på sammanhanget. Picardisk ters är en benämning på när slutackordet i ett stycke i moll innehåller en durters. (sv) Те́рция (лат. tertia «третья») — музыкальный интервал шириной в три ступени; обозначается цифрой 3. (ru) Те́рція (від лат. tertia — «третя») — музичний інтервал в три ступені, також третя нота в гамі. (uk) 在西方文化的古典音樂中，一個三度是一個包含三個五線譜位置的音程，而大三度是兩個常見的三度(大三度和小三度)的其中一個。它是大三度因為它是兩個之中最大的：大三度跨越四個半音，小三度跨越三個。例如，從C到E的音程是一個大三度，因為E在C的四個半度以上(C->C#->D->D#->E)，而且E在五線譜的位置距離C三個位置(C->D->E)。雖然和包含相同數目的五線譜位置，但是它們包含的半音數目不同(2和5)。 大三度能在泛音列中的第四個(C)和第五個(E)的音程裏找到。大三度的得名是因為它是大調裏的三度(C->D->E->F->G->A->B->C)。 (zh) Terz (von lateinisch tertia: „die Dritte“) bezeichnet in der Musikdas Intervall, das drei Stufen einer diatonischen Tonleiter umspannt. Beispiel:Tonleiterabschnitt von c'' nach e'' - Große Terz c'' e'' hintereinander - Große Terz c'' e'' gleichzeitig, dann mit kleiner Terz c'' es''. Die Audiowiedergabe wird in deinem Browser nicht unterstützt. Du kannst . Im engeren Sinne versteht man unter der Terz auch die dritte Stufe der jeweiligen Tonleiter. Die genauere Bezeichnung dafür ist Terzton. (de) Se denomina tercera al intervalo de tres grados entre dos notas de la escala musical. Existen diferentes tipos de terceras: * disminuidas: se producen cuando hay un tono de distancia entre las dos notas. * Las terceras disminuidas tienen la misma longitud tonal que las segundas mayores. * menores: se producen cuando hay un tono y un semitono de distancia entre las dos notas. * Las terceras menores tienen la misma longitud tonal que las segundas aumentadas. * Mayores: se producen cuando hay dos tonos de distancia entre las dos notas. * Las terceras mayores tienen la misma longitud tonal que las cuartas disminuidas. * Aumentadas: se producen cuando hay dos tonos y un semitono de distancia entre las dos notas. * Las terceras aumentadas tienen la misma longitud tonal que las cuartas ju (es) In classical music, a third is a musical interval encompassing three staff positions (see Interval number for more details), and the major third is a third spanning four semitones. Along with the minor third, the major third is one of two commonly occurring thirds. It is qualified as major because it is the larger of the two: the major third spans four semitones, the minor third three. For example, the interval from C to E is a major third, as the note E lies four semitones above C, and there are three staff positions from C to E. Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). (en) Een terts (van Latijn: tertius, de derde) is in de muziektheorie het interval in een diatonische toonladder tussen een eerste toon en de daarboven liggende derde. Een terts omvat twee toonafstanden. Het interval tussen bijvoorbeeld de tonen c en e is dus een terts. Men zegt dat de e een terts boven de c ligt. Daarnaast wordt ook de toon die in een diatonische toonladder op de derde toontrap ligt, de terts genoemd. Zo is de e de terts in de toonladder van c. Ook wordt de tweeklank die bestaat uit twee tonen die een terts uit elkaar liggen, als terts aangeduid. De tweeklank c-e is een terts, of de tonen c en e vormen een terts. (nl) |
| rdfs:label | Tercera (ca) Tercie (hudba) (cs) Große Terz (de) Terz (Musik) (de) Trito (eo) Tercera (es) Hirudun (eu) Tierce (musique) (fr) Tierce majeure (fr) Terza maggiore (it) 長三度 (ja) Major third (en) Terts (muziek) (nl) Tercja (interwał) (pl) Terça maior (pt) Терция (интервал) (ru) Ters (musik) (sv) 大三度 (zh) Терція (музичний інтервал) (uk) |
| rdfs:seeAlso | dbr:Ditone |
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| prov:wasDerivedFrom | wikipedia-en:Major_third?oldid=1123560443&ns=0 |
| foaf:depiction | wiki-commons:Special:FilePath/Comparison_of_major_thirds.png wiki-commons:Special:FilePath/Ditone_on_C.png wiki-commons:Special:FilePath/Major_third_on_C.png wiki-commons:Special:FilePath/Harmonic_series_klang.png |
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