Installation Research Papers - Academia.edu (original) (raw)

Essay for artists' Website.

Exposición del artista peruano Eduardo Villanes en la galería de arte de la Escuela de Arte de la Universidad Nacional Mayor de San Marcos en Lima, Perú (en ese entonces bajo intervención militar). La temática de las cajas de cartón en... more

Exposición del artista peruano Eduardo Villanes en la galería de arte de la Escuela de Arte de la Universidad Nacional Mayor de San Marcos en Lima, Perú (en ese entonces bajo intervención militar).
La temática de las cajas de cartón en las que fueron entregados los restos de los estudiantes desaparecidos de la universidad La Cantuta es tematizado. Las cenizas de los estudiantes fueron entregadas a sus familiares, en cajas de cartón de la marca Gloria. Villanes interpreta conceptualmente el tema en una exposición con instalaciones.

Born in 1964, Pierre Jolivet aka Paciic 231 is a French artist living in Ireland. He has been composing music for a long time, has released a huge number of pieces and recordings and adopted a wide, ever-changing and evolving range of... more

Born in 1964, Pierre Jolivet aka Paciic 231 is a French artist living in Ireland. He has been composing music for a long time, has released a huge number of pieces and recordings and adopted a wide, ever-changing and evolving range of sub-genres. He found the roots of his early works in noise and industrial sounds, never leaving a certain inspiration in noise structures. A few years ago, he began to make more experiments with sound generators and field recordings of various kinds as well as sensor technology. Discovering the magic of abstract arrangements, self-generated processed art and electronic sound collages also led him to co-operate with other artists such as Lieutenant Caramel, Vox Populi! or Rapoon. He’s also a performer and presented his multimedia artwork in MACBA (Barcelona) or the Beirut Art Center (Lebanon).

ABSTRACT The Interactive Affect Design Diagram (IADD) transforms the Affect Grid into a tool for design. The process of designing an interactive affective sonic character begins by drawing a path in the IADD to specify the mapping from... more

ABSTRACT The Interactive Affect Design Diagram (IADD) transforms the Affect Grid into a tool for design. The process of designing an interactive affective sonic character begins by drawing a path in the IADD to specify the mapping from interaction to affect. The path for ZiZi is on the pleasure side of the diagram. A grumpy character would have a path in the other half, and a more complex character would both positive and negative Valences. The designer then selects a palette of sounds for the character and rates them on the Affect Grid. It takes less than an hour to rate the IADS corpus, so scaling another palette is practical. The next step is to shade regions that group sounds into interaction states. The final stage is to design the physical affordances of the object to guide the user in understanding how to interact (e.g. attract attention, suggest sitting, cue patting, etc.)

Cara Instalasi Inkscape, aplikasi open source pengganti Corel Draw

Mit ihrer SchattenTrilogie, die die Installationsperformances "Die Scheinwerferin" (2011), "Absolute Helligkeit" (2012) und "Unverinnerlicht" (2015) umfasst, hat sich die an den Grenzen von bildender Kunst und szenischer... more

Mit ihrer SchattenTrilogie, die die Installationsperformances "Die Scheinwerferin" (2011), "Absolute Helligkeit" (2012) und "Unverinnerlicht" (2015) umfasst, hat sich die an den Grenzen von bildender Kunst und szenischer Installationskunst agierende Naoko Tanaka nicht nur im gesamten Bundesgebiet (mit Vorstellungen u.a. in Berlin, Leipzig, Essen, Hannover, Düsseldorf) einen Namen gemacht, sondern auch auf internationaler Ebene (mit Gastspielen u.a. in Japan, Frankreich, Belgien, Österreich, Schweiz, Italien, Serbien, Polen, Portugal). Die SchattenTrilogie vereint drei eigenständige und doch aufeinander bezogene, objekt- und bildbasierte, atmosphärisch dichte Auseinandersetzungen mit Licht und Schatten, die die Künstlerin als technisch-mediale Phänomene ebenso interessieren wie als Sinnbild für existenzielle Fragen. Um die Performances kreisen wie Satelliten Skizzen und Zeichnungen, Vorarbeiten der Künstlerin, Fotografien, die Einblicke in die Vorbereitung und Einrichtung der Szene und die Anfertigung der Objekte geben, sowie ein poetischer Text von Yoko Tawada und wissenschaftliche Essays von Hartmut Böhme, Gabriele Brandstetter und Adam Czirak, die sich als Angebote verstehen, mit Tanakas Arbeiten ins Gespräch zu kommen.
Das Buch erscheint zunächst auf Deutsch, im Herbst 2017 auch in einer englischen und in einer japanischen Ausgabe.

SAVIO, S.M. Interseccions between Art and Archtechture- Study of Case - Olafur Eliasson.2015. 183 f. Dissertação (Mestrado) - Faculdade de Arquitetura e Urbanismo, Universidade de São Paulo, São Paulo, 2015. The reflection... more

SAVIO, S.M. Interseccions between Art and Archtechture- Study of Case - Olafur
Eliasson.2015. 183 f. Dissertação (Mestrado) - Faculdade de Arquitetura e Urbanismo,
Universidade de São Paulo, São Paulo, 2015.
The reflection about the experience of space and its folding about construction
and its physical spaces, on the limit between Art and Architecture, it was the purpose
of this research. The presentation of the Danish artist work, OlafurEliassoncreating an
overview of the study of space that the Artist has been carrying out since 1990.It is
installations of Art, which seeks a sensorial space, provocation of the visitor’s sense to
produce an experience of space. Because of the theoretical basis mentioned
frequently by the Artist and its artistic and architectural references, it is necessary one
chapter of understanding the theory of Eliasson’s masterpieces. Starting from the
contact with his artworks, narrowing the theme was defined around the aspects of
light and movement on the perception of space, where it highlights the references of
the Artist on History of Modern Art- The Kinetic Movement and the Group
Light&Space. The configured-triangle between the principle figures of these three
moments- Lászlo Moholy-Nagy, James Turrell and OlafurEliasson–serves as the access
to the repertory of the Danish Artist and it justifies the research not being focused on a
series of other notorious references of Eliasson. This thesis is divided, then, in three
chapters - the Presentation, the Understanding of the Theory and the Artworks of
Eliasson–in which the relationship is established on the examples of the artworks
commented. The tangle of theoretical references found on books of Eliasson has
consequences on the miscellaneous of Chapter 2. From the concepts clarified, terms
used by the Artist, on which artwork commented. On the analysis of two expositions
that occurred on the 2000 years, Take Your Time and Weather Project, it is better
understood his vocabulary and conceptual intentions applied on physical space. The
relevance of multiple researches of OlafurEliasson, which put him on the boarder of
Art and Science includes also the philosophical knowledge and its collaborators, such
as the curator Daniel Birnbaum, and culminates on the experiment of space on the
installations, on the participation of the public.
Keywords: Contemporary Art, Architecture, Art Exhibition.

Monitoring et suivi des installations PV.
Conférence RBF: "Enjeux et développement du secteur photovoltaïque en Wallonie et à Bruxelles pour les années à venir".
Mont-Saint-Guibert, 7 novembre 2012.

In the museum context, curators and conservators often play a role in shaping the nature of contemporary artworks. Before, during and after the acquisition of an art object, curators and conservators engage in dialogue with the artist... more

In the museum context, curators and conservators often play a role in shaping the nature of contemporary artworks. Before, during and after the acquisition of an art object, curators and conservators engage in dialogue with the artist about how the object should be exhibited and conserved. As a part of this dialogue, the artist may express specifications for the display and conservation of the object, thereby fixing characteristics of the artwork that were previously left open. This process can make a significant difference to the visual appearance of the work, the nature of the audience's experience, and how the work should be interpreted. I present several case studies in which the nature of the artwork has been shaped by such dialogues, and discuss principles for resolving cases in which there is a conflict between instructions specified by the artist and those adopted by the museum.

W zachodniej humanistyce ostatnich lat mamy do czynienia z rozpowszechnieniem się rozmaitych „fabulacji spekulatywnych” (Haraway) na temat czasów w których żyjemy, zwłaszcza w kontekście trwającej katastrofy ekologicznej. Chodzi tu o... more

W zachodniej humanistyce ostatnich lat mamy do czynienia z rozpowszechnieniem się
rozmaitych „fabulacji spekulatywnych” (Haraway) na temat czasów w których żyjemy,
zwłaszcza w kontekście trwającej katastrofy ekologicznej. Chodzi tu o powoływane przez
badaczy nowe epoki w dziejach Ziemi, takie jak kapitalocen (Moore) termocen (Bonneuil i
Fressoz) czy plantacjocen (Tsing), które pozwalają zrozumieć, to co dzieje się z naszą
planetą. Proliferacja różnego typu „–cenów” zbiegła się w czasie z obchodami stulecia
powstania Bauhausu, prowokując do pytań o to, na ile tradycja tej szkoły pozwala zrozumieć
współczesne hybrydy natury, kultury i technologii powstające w obszarze sztuk
performatywnych. W niniejszym wystąpieniu pokażę w jaki sposób tradycja Bauhausu
pozwala zrozumieć zjawiska zachodzące w zamglonym antropocenie. Chodzi tu o powołaną
przeze mnie do istnienia epokę, w której mamy do czynienia tyleż z kryzysem ekologicznym,
co poważnym kryzysem epistemologicznym. Zamglony antropocen jest więc spekulacją na
temat tego, jak mógłby wyglądać świat, w którym osłabieniu uległa dominacja wzroku jako
narzędzia orientacji, czyli tego zmysłu, który – jak chcieli Nowocześni – gwarantuje
uzyskanie najpewniejszej wiedzy o świecie. Zestawiając prace Anni Albers ze współczesnymi
instalacjami pokażę, co o interesującej mnie epoce może powiedzieć tradycja Bauhausu.

Le présent travail vise à soulever une discussion sur les propriétés de l’art engagé, et à nous demander ce qui lui confère ses qualités politiques. Nous partons du constat de la référence à l’intention de l’artiste comme le critère... more

Le présent travail vise à soulever une discussion sur les propriétés de l’art engagé, et à nous demander ce qui lui confère ses qualités politiques. Nous partons du constat de la référence à l’intention de l’artiste comme le critère principal permettant de qualifier une œuvre d’​« engagée »​. Nous prenons ici de la distance par rapport à la figure de l’artiste engagé et des logiques intentionnalistes, en nous concentrant sur les formes de réception des œuvres.
À travers l’étude de deux cas spécifiques, celui de Deborah de Robertis et celui de Julita Wójcik avec son œuvre « Arc-en-Ciel »​, nous tentons d’identifier divers collectifs qui se sentent suffisamment concernés par les œuvres pour prendre position publiquement et ainsi contribuer à les charger politiquement.
Nous imaginons alors qu’indépendamment de toute volonté de l’artiste, non seulement cet engagement des publics en relation à l’œuvre lui conférerait des qualités politiques, mais aussi les interactions sociales résultant de cet engagement, qu’elles relèvent d’une entente ou d’un dissensus.
Cette question spécifique à l’art engagé nous amène à nous interroger plus généralement sur la manière dont on attribue ses propriétés à une œuvre, en mettant en avant les processus divers qui permettent de la charger sémiotiquement et symboliquement.

Nature has had her day;she has finally and utterly exhausted the patience of sensitive observers by the revolting uniformity of her landscapes and skyscapes. In fact there is not a single one of her inventions, deemed to subtle and... more

Nature has had her day;she has finally and utterly exhausted the patience of sensitive observers by the revolting uniformity of her landscapes and skyscapes. In fact there is not a single one of her inventions, deemed to subtle and sublime, that human ingenuity cannot manufacture.
(Des Esseintes, cited in Against Nature /A Rebours p.22-23 - 2003)

Desenvolvimento passo a passo de um projeto luminotécnico.

This paper discuss the innovations that took place in the Bore well motor pump installation and lifting process from the earliest time and also includes the future scope. The paper also shows the various machines and mechanisms available... more

This paper discuss the innovations that took place in the Bore well motor pump installation and lifting process from the earliest time and also includes the future scope. The paper also shows the various machines and mechanisms available for Bore well motor pump installation and lifting with its advantages and limitation. Paper also provides the detail information and steps to be followed while installation and lifting process.

Inducted into Library of Parliament, Canada 2016. The book is a convergence of calligraphy, poetry, and architecture. It has been reviewed in 2020 by Haiku Canada (see review by Sandra Stephenson in Book Reviews). YouTube carries it's... more

This article investigates Robert Morris's much-discussed 'minimal art' of the 1960s. It argues that the well known 'phenomenological account' of minimalism, which developed in relation to Morris's work, was conditioned by the space of... more